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Drawing Inside Out • pencils on paper (speed drawing time lapse)

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Drawing Inside out • pencils on paper (speed drawing time lapse)
Inside Out is a 2015 American 3D computer-animated comedy-drama adventure film[6] produced by Pixar Animation Studios and released by Walt Disney Pictures. The film was directed and co-written by Pete Docter, co-directed and co-written by Ronnie del Carmen and produced by Jonas Rivera, with music composed by Michael Giacchino. The film is set in the mind of a young girl named Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black), and Disgust (Mindy Kaling)—try to lead her through life as her parents (Diane Lane and Kyle MacLachlan) move the family from Minnesota to San Francisco, California and adjust to a new life there.
Docter first began developing Inside Out in 2009 after noticing changes in his daughter's personality as she grew older. The film's producers consulted numerous psychologists, including Dacher Keltner[7] from the University of California, Berkeley, who helped revise the story emphasizing the neuropsychological findings that human emotions are mirrored ininterpersonal relationships and can be significantly moderated by them.
After premiering at the 68th Cannes Film Festival in May, Inside Out was released on June 19, 2015, accompanied in theaters by a short film, Lava, directed by James Ford Murphy. Inside Out received a rating of 98% on Rotten Tomatoes. Critics praised the film's concept, poignant subject matter, musical score, and the vocal performances—particularly for Poehler, Smith, and Richard Kind. The film grossed $90.4 million in its first weekend—the highest opening for an original title.[8] It has accumulated over $851 million in worldwide box office revenue.[5] The film, along with The Good Dinosaur, marks the first time that Pixar has released two feature films in the same year
Time-lapse photography is a technique whereby the frequency at which film frames are captured (the frame rate) is much lower than that used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing. For example, an image of a scene may be captured once every second, then played back at 30 frames per second; the result is an apparent 30 times speed increase. Time-lapse photography can be considered the opposite of high speed photography or slow motion.
Processes that would normally appear subtle to the human eye, e.g. the motion of the sun and stars in the sky, become very pronounced. Time-lapse is the extreme version of the cinematography technique of undercranking, and can be confused with stop motion animation.

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