MERLIN, SWARA...ILOR & FRIENDS....Cosmic Kraut Experience Full Album...
Description YT
MERLIN, SWARA...ILOR & FRIENDS....Cosmic Kraut Experience Full Album...Studijski album, objavljen 1975
. godine Songs / Tracks Listing
Strana A:
1. Habla Ita Swe (12:14)
2. Livescore Nr. 1 (11:45)
Strana B:
1. Pjesma između hustlesa (12:00)
2. Pitanje je umrlo (6:55)
Ukupno vrijeme 42:54
Postava / Glazbenici
- Swara Samrat / harfa, petlje, vokali, flauta, udaraljke
- Kapetan llor / Gitare
- Merlin / Mellotron, synth, udaraljke
- Herman / bas, udaraljke
Objavljuje informacije
Kiša u boji LP..........Studio album, released in 1975
. Songs / Tracks Listing
Page A:
1. Habla Ita Swe (12:14)
2. Livescore Nr. 1 (11:45)
Page B:
1. Song between hustles (12:00)
2. The question died (6:55)
Total time 42:54
Lineup / Musicians
- Swara Samrat / harp, loops, vocals, flute, percussion
- Captain llor / Guitars
- Merlin / Mellotron, synth, percussion
- Herman/ bass, percussion
Publishes information
Rain in color LP.........We can feel that they've built something like a mixed Krautrock-ish electronic farm, all around the album. The first experience of "Habla Ita Swe" sounds like going down-tempo of primordial Krautrock ambiguity, with a dry desert flute and polished percussion confusion. In the second part, the more uptempo heart palpitations of Swara's straight voices can be heard as another scattered look. The second experience of "Livescore Nr. 1" is somewhat cheaper and distressing ... Swara's voices are less powerful, but a little more tragic and heartfelt than the Eiliff in the same vein. Far from the word "Cosmic," but Merlin's synthesizer-sounding air plus Iloro's plain acoustic guitar narrator can be so spooky and weird enough to take our spine out of the real world. On the other hand, in the third experience of "The Song Between Hustles", the esoteric Swara dissonance harp, which opens such an original theatrical curtain, should be best suited for the keyword "Cosmic", I guess. As if to launch a meditative purple smoke, the ethnic plastic sound of stardust shower pouring around our ears and minds. Although his voices may not be suitable for such an addiction, this atmosphere, along with relaxing percussion, is fascinating, truly impressive. It is recommended as a highlight in this creation. And the last, fourth experience of "The Question Died" is another brief mixed feel with distorted voices, heartfelt guitar sounds and unrefined percussion, based on rough/dry synthesizer fuzzes. I just felt impatient at that weak end of the story? In conclusion, he realized that they had been dissolved as an obscure one-time project. I can't recommend it as Krautrock's masterpiece, but let me say it's interesting to dig up another Kraut experience, in a way. LADISLAV&ZIVANOVIC..........