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textDisplay: Here, On my channel you LADISLAV, I provide information and listen to a review of samples of lost albums from the past. My only goal is to promote real art and music for some reasons that are currently unavailable according to my sources. If you are an artist or tag and you want the link to be removed, just contact me and it will be done. I would like to thank everyone. Collectors share music giving us a unique opportunity to explore Culture. THANK YOU.

authorDisplayName: ladislav zivanovic


textDisplay:
Biography
date of birth
August 4, 1947

Born in
Berlin, Germany

Klaus Schulze (born August 4, 1947 in Berlin, Germany) is a German composer and musician of electronic art music. He also used the pseudonym Richard Wahnfried. He was briefly a member of the electronic band Tangerine Dream, as well as co-founder of Ash Ra Tempel before a pioneering and prolific solo career of 40+ albums (110+ CDs in total) in 30+ years.

In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. In 1970, he left this group to form Ash Ra Tempel with Manuel Göttsching. In 1971, he again chose to leave the newly formed group after just one album, this time to mount a solo career.

In 1972, Schulze released his debut album Irrlicht with organ and recording of the orchestra filtered almost beyond recognition. Despite the lack of a synthesizer, this proto-ambient work is considered a turning point in electronic music. The sequel, Cyborg, was similar, but added the EMS synthesizer Synthi A. Some of the highlights of his early career were Moondawn (1976), Mirage (1977) and Dune (1979). He often took aspects of German culture and history as a starting point in his compositions, especially on his album "X" (title indicating that this is his tenth album) in 1978. His use of the pseudonym Richard Wahnfried indicates his interest in Richard Wagner, who also informs other albums about his music, especially Timewind.

During the 1970s, he worked mostly in an improvised musical style similar to the aforementioned Tangerine Dream, albeit with lighter sequencer lines and a more introspective, cosmic edge to pieces that also evolved gradually and lasted longer, sometimes more than 30 minutes.

Klaus Schulze had an eclectic sound from other electronic artists of the time. He would often use non-electronic sounds such as an acoustic guitar and a male opera voice in Blackdance, or a cello in Dina and Trancefer. Schulze developed the Minimoog technique, which sounds indisputably like an electric guitar, which is quite impressive in concert.

In the 1980s, Schulze switched from analog to digital instruments, and his work accordingly became less experimental and more accessible. The highlight of this era was En = Trance with the dreamy cut ‘FM Delight’. The album Miditerranean Pads marked the beginning of very complex percussion arrangements that continued into the next two decades.

Starting with Beyond Recal, the first half of the 1990s was a period when Schulze used a large sonic palette of patterns - like birds squeaking or sensual female moans - both in his studio albums and in live performances. The decade has also seen the release of copious quantities of previously unreleased material, of varying quality, in several limited boxed sets. Some live recordings were revealed on intact but forgotten rolls of tape used to provide an “echo” at concerts.

Schulze began incorporating elements of jazz and classical music, playing more contemporary, techno / dance music, as well as creating opera. Since the beginning of the millennium, he has gradually started releasing his classic solo albums, each of which contains bonus songs of unreleased material, dating from the same period as each of the original albums.

ladislav zivanovic


textOriginal:
Biography
date of birth
August 4, 1947

Born in
Berlin, Germany

Klaus Schulze (born August 4, 1947 in Berlin, Germany) is a German composer and musician of electronic art music. He also used the pseudonym Richard Wahnfried. He was briefly a member of the electronic band Tangerine Dream, as well as co-founder of Ash Ra Tempel before a pioneering and prolific solo career of 40+ albums (110+ CDs in total) in 30+ years.

In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. In 1970, he left this group to form Ash Ra Tempel with Manuel Göttsching. In 1971, he again chose to leave the newly formed group after just one album, this time to mount a solo career.

In 1972, Schulze released his debut album Irrlicht with organ and recording of the orchestra filtered almost beyond recognition. Despite the lack of a synthesizer, this proto-ambient work is considered a turning point in electronic music. The sequel, Cyborg, was similar, but added the EMS synthesizer Synthi A. Some of the highlights of his early career were Moondawn (1976), Mirage (1977) and Dune (1979). He often took aspects of German culture and history as a starting point in his compositions, especially on his album "X" (title indicating that this is his tenth album) in 1978. His use of the pseudonym Richard Wahnfried indicates his interest in Richard Wagner, who also informs other albums about his music, especially Timewind.

During the 1970s, he worked mostly in an improvised musical style similar to the aforementioned Tangerine Dream, albeit with lighter sequencer lines and a more introspective, cosmic edge to pieces that also evolved gradually and lasted longer, sometimes more than 30 minutes.

Klaus Schulze had an eclectic sound from other electronic artists of the time. He would often use non-electronic sounds such as an acoustic guitar and a male opera voice in Blackdance, or a cello in Dina and Trancefer. Schulze developed the Minimoog technique, which sounds indisputably like an electric guitar, which is quite impressive in concert.

In the 1980s, Schulze switched from analog to digital instruments, and his work accordingly became less experimental and more accessible. The highlight of this era was En = Trance with the dreamy cut ‘FM Delight’. The album Miditerranean Pads marked the beginning of very complex percussion arrangements that continued into the next two decades.

Starting with Beyond Recal, the first half of the 1990s was a period when Schulze used a large sonic palette of patterns - like birds squeaking or sensual female moans - both in his studio albums and in live performances. The decade has also seen the release of copious quantities of previously unreleased material, of varying quality, in several limited boxed sets. Some live recordings were revealed on intact but forgotten rolls of tape used to provide an “echo” at concerts.

Schulze began incorporating elements of jazz and classical music, playing more contemporary, techno / dance music, as well as creating opera. Since the beginning of the millennium, he has gradually started releasing his classic solo albums, each of which contains bonus songs of unreleased material, dating from the same period as each of the original albums.

ladislav zivanovic


textDisplay:
Biografija

Datum rođenja

4. kolovoza 1947.

Rođen u

Berlin, Njemačka

Klaus Schulze (rođen 4. kolovoza 1947. u Berlinu u Njemačkoj) njemački je skladatelj i glazbenik elektronske umjetničke glazbe. Također je koristio pseudonim Richard Wahnfried. Kratko je bio član elektronskog benda Tangerine Dream, kao i suosnivač Ash Ra Tempela prije pionirske i plodne solo karijere od 40+ albuma (ukupno 110+ CD-a) u 30+ godina.

Godine 1969., Klaus Schulze bio je bubnjar jedne od ranih inkarnacija Tangerine Dream za njihov debitantski album Electronic Meditation. 1970. napustio je ovu grupu kako bi osnovao Ash Ra Tempel s Manuelom Göttschingom. Godine 1971. ponovno je odabrao napustiti novoosnovanu grupu nakon samo jednog albuma, ovaj put kako bi montirao solo karijeru.

Godine 1972., Schulze je objavio svoj debitantski album Irrlicht s orguljama i snimku orkestra filtriranog gotovo do neprepoznatljivosti. Unatoč nedostatku sintesajzera, ovo proto-ambijentalno djelo smatra se prekretnicom u elektroničkoj glazbi. Nastavak, Cyborg, bio je sličan, ali je dodao sintesajzer EMS Synthi A. Neki od vrhunaca njegove rane karijere su Moondawn (1976), Mirage (1977) i Dune (1979). Često je uzimao aspekte njemačke kulture i povijesti kao polazište u svojim skladbama, osobito na svom albumu "X" (naslov koji označava da je to njegov deseti album) 1978. Njegovo korištenje pseudonima Richard Wahnfried ukazuje na njegov interes za Richarda Wagnera, koji također informira druge albume o njegovoj glazbi, posebno Timewind.

Tijekom 1970-ih radio je uglavnom u improviziranom glazbenom stilu sličnom spomenutom Tangerine Dreamu, doduše s lakšim sekvencerskim linijama i introspektivnijim, kozmičkim rubom do komada koji su se također postupno razvijali i bili duljeg trajanja, ponekad i više od 30 minuta.

Klaus Schulze je imao eklektični zvuk od ostalih elektronskih umjetnika tog vremena. Često bi koristio ne-elektronske zvukove kao što su akustična gitara i muški operni glas u Blackdanceu , ili violončelo u Dini i Tranceferu . Schulze je razvio Minimoog tehniku koja zvuči neosporno poput električne gitare, što je prilično impresivno u koncertu.

U 1980-ima Schulze je prešao iz analognih u digitalne instrumente, a njegov rad u skladu s tim postao je manje eksperimentalan i dostupniji. Vrhunac ovog doba bio je En=Trance sa sanjive posjekotine 'FM Delight'. Album Miditerranean Pads označio je početak vrlo složenih udaraljkaških aranžmana koji su se nastavili i u sljedeća dva desetljeća.

Počevši od Beyond Recalla, prva polovica devedesetih bila je razdoblje kada je Schulze koristio veliku zvučnu palietu uzoraka – poput ptica škripanja ili senzualnih ženskih stenjanja – i u svojim studijskim albumima i u nastupima uživo. Desetljeće je također vidjelo oslobađanje obilnih količina prethodno neobjavljenog materijala, različite kvalitete, u nekoliko limitiranih boxed setova. Neke snimke uživo otkrivene su na netaknutim, ali zaboravljenim rolama vrpce koje su korištene za pružanje "jeke" na koncertima.

Schulze je počeo uključivati elemente jazza i klasične glazbe, svirajući suvremeniju, tehno/plesnu glazbu, kao i stvarajući operu. Od početka tisućljeća počeo je postupno ponovno izlaziti svoje klasične solo albume, od kojih svaki sadrži bonus pjesme neobjavljenog materijala, koje datiraju iz istog razdoblja kao i svaki od originalnih albuma.


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textDisplay: Ovdje, Na mom kanalu vas LADISLAV, pružam informacije i slušanje pregled uzoraka izgubljenih albuma iz prošlosti. Moj jedini cilj je promovirati pravu umjetnost i glazbu iz nekih razloga koji su trenutno nedostupni prema mojim izvorima. Ako ste umjetnik ili oznaka i želite da se veza ukloni, samo me kontaktirajte i to će biti učinjeno.Želio bih Zahvaliti Svim.NA LAYKOVIMA I ONIMA KOJI SU SE PRETPLATILI NA MOJ GLZBENI KANAL ZABORAVLJENE GLAZBE I POVJESNO HISTORISKIH IZVEDBI ,VELIKA HVALA SVIMA Izvornim Prenositeljima;Kolekcionari dijele glazbu dajući nam jedinstvenu mogućnost da istražimo Kulturu. Hvala!.MOJE VELIKO,.POSTOVANJE,VAS LADISLAV+GLAZBENIK-ARTIST.... Hvala!