Attribution 3.0Creative Commons Licenseby
Themes John Kay, Michael Monarch, Rushton Moreve, Goldy McJohn, Jerry Edmonton, Steppenwolf, Fillmore West, classical rock, rock, psychedelic, Harley-Davidson, heavy metal, acid rock
This is a sound recording of Steppenwolf on tour in support of their debut album “Steppenwolf” right after “Born to Be Wild” was released as a single. A rare live recording of the band in its original incarnation with Rushton Moreve on bass. Often attributed to "Sparrow Flight" .John Kay - guitar, vocals, accordion; Michael Monarch - lead guitar; Rushton Moreve - bass; Goldy McJohn - keyboards; Jerry Edmonton - DrumsSteppenwolf led this second night of the three-night race at Fillmore West with an early, pre-signed incarnation of the Santana opening, followed by Staple Singers. This performance captures Steppenwolf at a crucial moment, the beginning of their career, as the band experienced their first flavors of commercial success from a single from their debut album: the fiery biker anthem “Born To Be Wild”. They recorded, but have not yet released their second album (which contained the single "Magic Carpet Ride"), and began performing more adventurous and experimental material to be included on that album, with staples from their debut LP.Although this recording does not include Born To Be Wild, it is a little important - this is a great performance that grabs you and doesn’t let go. The band starts with a smoking version of "Hoochie Coochie Man". If you hadn’t known that the Steppenwolf blues band is at its core, you’ll know this after this. Psychedelic blues, maybe, but still blues. What follows is “Tighten Up Your Wig,” a song that is essentially “Wells’ With The Kid ”by Junior Wells, with new Kaya lyrics. This band was solid; the rhythm section runs this tune, and Kay is excellent on the accordion as well. An expanded version of the song "Your Wall's Too High" follows, a popular song from their first album. They then slow things down with an introspective “Desperation,” before returning to their blues roots with a delicious version of Muddy Waters ’classic“ Baby Please Don’t Go, ”which Kay often played with his pre-steppenwolf band Sparrow. Towards the end of the set, the band released their cover of Hoyt Axton’s anti-drug song, “The Pusher”. Kay announces at the end of the song that he will take a short break due to an amp problem; they return to end this recording with an extended blues jam on "Disappointment Number (Unknown)" which expands into "Lost and Found By Trial and Error," then "Hodge Podge, Strained Through A Leslie," and ends with a hot run through "Resurrection." .In 1968, Steppenwolf had an undeniable flair for creating music that was heavier than the usual AM radio price, but surpassed those limits and became extremely popular in AM and FM radio formats. They were very original and were one of the pioneers of "hard rock" which would eventually be known as "heavy metal" - a term, in fact, coined directly from the phrase "heavy metal thunder" in the lyrics of the song "Born To Be Wild" .
If you weren’t a Steppenwolf fan before listening to this show, you will be now.
Atribucija 3,0Creative Commons Licenseby
Teme John Kay, Michael Monarch, Rushton Moreve, Goldy McJohn, Jerry Edmonton, Steppenwolf, Fillmore West, klasični rock, rock, psihodelični, Harley-Davidson, heavy metal, acid rock
Ovo je zvučna snimka Steppenwolfa na turneji u znak podrške njihovom debitantskom albumu "Steppenwolf" odmah nakon što je "Born to Be Wild" objavljen kao singl. Rijetka live snimka benda u originalnoj inkarnaciji s Rushtonom Moreveom na basu. Često se pripisuje "Let vrapca".John Kay - gitara, vokal, harmonika; Michael Monarch - glavna gitara; Rushton Moreve - bas; Goldy McJohn - klavijature; Jerry Edmonton - bubnjeviSteppenwolf je predvodio ovu drugu noć tronoćne utrke na Fillmore Westu s ranom, unaprijed potpisanom inkarnacijom otvaranja Santane, nakon čega su uslijedili Staple Singers. Ovaj nastup hvata Steppenwolfa u ključnom trenutku, početkom njihove karijere, jer je bend doživljavao svoje prve okuse komercijalnog uspjeha sa singla s debitantskog albuma: vatrenu bajkersku himnu "Born To Be Wild". Snimili su, ali još nisu objavili svoj drugi album (koji je sadržavao singl "Magic Carpet Ride"), te su počeli izvoditi pustolovniji i eksperimentalniji materijal koji će biti uvršten na taj album, uz spajalice iz njihovog debitantskog LP-a.Iako ova snimka ne uključuje Born To Be Wild, malo je važna - ovo je izvrsna izvedba koja vas zgrabi i ne pušta. Bend započinje s pušačkom verzijom "Hoochie Coochie Man". Da nisi znao da je Steppenwolf blues bend u svojoj srži, znat ćeš to nakon ovoga. Psihodelični blues, možda, ali ipak blues. Slijedi "Tighten Up Your Wig", pjesma koja je u biti "Messin' With The Kid" Juniora Wellsa, s novim Kayinim stihovima. Ovaj bend je bio solidan; ritam sekcija pokreće ovu melodiju, a Kay je izvrsna i na harmonici.Slijedi proširena verzija pjesme "Your Wall's Too High", popularne pjesme s njihovog prvog albuma. Nakon toga usporavaju stvari s introspektivnim "Desperationom", prije nego što se vrate svojim blues korijenima s ukusnom verzijom klasika Muddyja Watersa "Baby Please Don't Go", koji je Kay često svirao sa svojim pred steppenwolf bendom Sparrow. Pri kraju seta, bend je objavio svoju obradu pjesme Hoyta Axtona protiv droge, "The Pusher". Kay najavljuje na kraju pjesme da će uzeti kratku pauzu zbog problema s pojačalom; vraćaju se završiti ovu snimku s proširenim blues džemom na "Disappointment Number (Unknown)" koji se širi u "Lost and Found By Trial and Error", zatim "Hodge Podge, Strained Through A Leslie", i završava vrućim trčanjem kroz "Uskrsnuće".Godine 1968. Steppenwolf je imao neporeciv štih za stvaranje glazbe koja je bila teža od uobičajene AM radio cijene, ali je nadišla ta ograničenja i postala iznimno popularna u AM i FM radijskim formatima. Bili su vrlo originalni i bili su jedan od pionira "hard rocka" koji će na kraju biti poznat kao "heavy metal" - pojam, zapravo, koji je skovan izravno iz fraze "heavy metal thunder" u stihovima pjesme "Born To Be Wild".
Ako niste bili ljubitelj Steppenwolfa prije slušanja ove emisije, bit ćete sada.
Attribution 3.0 Licence Creative Commons
Thèmes John Kay, Michael Monarch, Rushton Moreve, Goldy McJohn, Jerry Edmonton, Steppenwolf, Fillmore West, rock classique, rock, psychédélique, Harley-Davidson, heavy metal, acid rock
Il s'agit d'un enregistrement sonore de Steppenwolf en tournée à l'appui de leur premier album «Steppenwolf» juste après la sortie de «Born to Be Wild» en single. Un enregistrement live rare du groupe dans son incarnation originale avec Rushton Moreve à la basse. Souvent attribué à "Sparrow Flight" .John Kay - guitare, chant, accordéon; Michael Monarch - guitare principale; Rushton Moreve - basse; Goldy McJohn - claviers; Jerry Edmonton - DrumsSteppenwolf a mené cette deuxième nuit de la course de trois nuits à Fillmore West avec une incarnation précoce et pré-signée de l'ouverture de Santana, suivie par Staple Singers. Cette performance capture Steppenwolf à un moment crucial, le début de leur carrière, alors que le groupe a connu ses premières saveurs de succès commercial à partir d'un single de leur premier album: l'hymne fougueux des motards «Born To Be Wild». Ils ont enregistré, mais n'ont pas encore sorti leur deuxième album (qui contenait le single "Magic Carpet Ride"), et ont commencé à interpréter du matériel plus aventureux et expérimental qui sera inclus sur cet album, avec des agrafes de leur premier album. ne pas inclure Born To Be Wild, c'est un peu important - c'est une excellente performance qui vous saisit et ne vous lâche pas. Le groupe débute avec une version fumeur de "Hoochie Coochie Man". Si vous ne saviez pas que le groupe de blues de Steppenwolf est au cœur, vous le saurez par la suite. Du blues psychédélique, peut-être, mais toujours du blues. Ce qui suit est «Tighten Up Your Wig», une chanson qui est essentiellement «Wells’ With The Kid »de Junior Wells, avec de nouvelles paroles de Kaya. Ce groupe était solide; la section rythmique exécute cet air, et Kay est également excellent à l'accordéon. Une version étendue de la chanson "Your Wall's Too High" suit, une chanson populaire de leur premier album. Ils ralentissent ensuite les choses avec un «Desperation» introspectif, avant de revenir à leurs racines blues avec une délicieuse version du classique de Muddy Waters «Baby Please Don’t Go», que Kay a souvent joué avec son groupe pré-steppenwolf Sparrow. Vers la fin du set, le groupe a sorti sa reprise de la chanson anti-drogue de Hoyt Axton, «The Pusher». Kay annonce à la fin de la chanson qu'il va faire une courte pause en raison d'un problème d'ampli; ils reviennent pour terminer cet enregistrement avec un jam blues prolongé sur "Disappointment Number (Unknown)" qui se développe en "Lost and Found By Trial and Error", puis "Hodge Podge, Strained Through A Leslie", et se termine par un hot run through "Resurrection.". En 1968, Steppenwolf avait un flair indéniable pour créer de la musique plus lourde que le prix habituel de la radio AM, mais dépassait ces limites et devint extrêmement populaire dans les formats radio AM et FM. Ils étaient très originaux et ont été l'un des pionniers du "hard rock" qui serait finalement connu sous le nom de "heavy metal" - un terme, en fait, directement inventé de l'expression "heavy metal thunder" dans les paroles de la chanson "Born Être sauvage ".
Si vous n’étiez pas fan de Steppenwolf avant d’écouter cette émission, vous le serez maintenant.
Attribution 3.0Creative Commons Licenseby
0 likesThemes John Kay, Michael Monarch, Rushton Moreve, Goldy McJohn, Jerry Edmonton, Steppenwolf, Fillmore West, classical rock, rock, psychedelic, Harley-Davidson, heavy metal, acid rock
This is a sound recording of Steppenwolf on tour in support of their debut album “Steppenwolf” right after “Born to Be Wild” was released as a single. A rare live recording of the band in its original incarnation with Rushton Moreve on bass. Often attributed to "Sparrow Flight" .John Kay - guitar, vocals, accordion; Michael Monarch - lead guitar; Rushton Moreve - bass; Goldy McJohn - keyboards; Jerry Edmonton - DrumsSteppenwolf led this second night of the three-night race at Fillmore West with an early, pre-signed incarnation of the Santana opening, followed by Staple Singers. This performance captures Steppenwolf at a crucial moment, the beginning of their career, as the band experienced their first flavors of commercial success from a single from their debut album: the fiery biker anthem “Born To Be Wild”. They recorded, but have not yet released their second album (which contained the single "Magic Carpet Ride"), and began performing more adventurous and experimental material to be included on that album, with staples from their debut LP.Although this recording does not include Born To Be Wild, it is a little important - this is a great performance that grabs you and doesn’t let go. The band starts with a smoking version of "Hoochie Coochie Man". If you hadn’t known that the Steppenwolf blues band is at its core, you’ll know this after this. Psychedelic blues, maybe, but still blues. What follows is “Tighten Up Your Wig,” a song that is essentially “Wells’ With The Kid ”by Junior Wells, with new Kaya lyrics. This band was solid; the rhythm section runs this tune, and Kay is excellent on the accordion as well. An expanded version of the song "Your Wall's Too High" follows, a popular song from their first album. They then slow things down with an introspective “Desperation,” before returning to their blues roots with a delicious version of Muddy Waters ’classic“ Baby Please Don’t Go, ”which Kay often played with his pre-steppenwolf band Sparrow. Towards the end of the set, the band released their cover of Hoyt Axton’s anti-drug song, “The Pusher”. Kay announces at the end of the song that he will take a short break due to an amp problem; they return to end this recording with an extended blues jam on "Disappointment Number (Unknown)" which expands into "Lost and Found By Trial and Error," then "Hodge Podge, Strained Through A Leslie," and ends with a hot run through "Resurrection." .In 1968, Steppenwolf had an undeniable flair for creating music that was heavier than the usual AM radio price, but surpassed those limits and became extremely popular in AM and FM radio formats. They were very original and were one of the pioneers of "hard rock" which would eventually be known as "heavy metal" - a term, in fact, coined directly from the phrase "heavy metal thunder" in the lyrics of the song "Born To Be Wild" .
If you weren’t a Steppenwolf fan before listening to this show, you will be now.
Atribucija 3,0Creative Commons Licenseby
0 likesTeme John Kay, Michael Monarch, Rushton Moreve, Goldy McJohn, Jerry Edmonton, Steppenwolf, Fillmore West, klasični rock, rock, psihodelični, Harley-Davidson, heavy metal, acid rock
Ovo je zvučna snimka Steppenwolfa na turneji u znak podrške njihovom debitantskom albumu "Steppenwolf" odmah nakon što je "Born to Be Wild" objavljen kao singl. Rijetka live snimka benda u originalnoj inkarnaciji s Rushtonom Moreveom na basu. Često se pripisuje "Let vrapca".John Kay - gitara, vokal, harmonika; Michael Monarch - glavna gitara; Rushton Moreve - bas; Goldy McJohn - klavijature; Jerry Edmonton - bubnjeviSteppenwolf je predvodio ovu drugu noć tronoćne utrke na Fillmore Westu s ranom, unaprijed potpisanom inkarnacijom otvaranja Santane, nakon čega su uslijedili Staple Singers. Ovaj nastup hvata Steppenwolfa u ključnom trenutku, početkom njihove karijere, jer je bend doživljavao svoje prve okuse komercijalnog uspjeha sa singla s debitantskog albuma: vatrenu bajkersku himnu "Born To Be Wild". Snimili su, ali još nisu objavili svoj drugi album (koji je sadržavao singl "Magic Carpet Ride"), te su počeli izvoditi pustolovniji i eksperimentalniji materijal koji će biti uvršten na taj album, uz spajalice iz njihovog debitantskog LP-a.Iako ova snimka ne uključuje Born To Be Wild, malo je važna - ovo je izvrsna izvedba koja vas zgrabi i ne pušta. Bend započinje s pušačkom verzijom "Hoochie Coochie Man". Da nisi znao da je Steppenwolf blues bend u svojoj srži, znat ćeš to nakon ovoga. Psihodelični blues, možda, ali ipak blues. Slijedi "Tighten Up Your Wig", pjesma koja je u biti "Messin' With The Kid" Juniora Wellsa, s novim Kayinim stihovima. Ovaj bend je bio solidan; ritam sekcija pokreće ovu melodiju, a Kay je izvrsna i na harmonici.Slijedi proširena verzija pjesme "Your Wall's Too High", popularne pjesme s njihovog prvog albuma. Nakon toga usporavaju stvari s introspektivnim "Desperationom", prije nego što se vrate svojim blues korijenima s ukusnom verzijom klasika Muddyja Watersa "Baby Please Don't Go", koji je Kay često svirao sa svojim pred steppenwolf bendom Sparrow. Pri kraju seta, bend je objavio svoju obradu pjesme Hoyta Axtona protiv droge, "The Pusher". Kay najavljuje na kraju pjesme da će uzeti kratku pauzu zbog problema s pojačalom; vraćaju se završiti ovu snimku s proširenim blues džemom na "Disappointment Number (Unknown)" koji se širi u "Lost and Found By Trial and Error", zatim "Hodge Podge, Strained Through A Leslie", i završava vrućim trčanjem kroz "Uskrsnuće".Godine 1968. Steppenwolf je imao neporeciv štih za stvaranje glazbe koja je bila teža od uobičajene AM radio cijene, ali je nadišla ta ograničenja i postala iznimno popularna u AM i FM radijskim formatima. Bili su vrlo originalni i bili su jedan od pionira "hard rocka" koji će na kraju biti poznat kao "heavy metal" - pojam, zapravo, koji je skovan izravno iz fraze "heavy metal thunder" u stihovima pjesme "Born To Be Wild".
Ako niste bili ljubitelj Steppenwolfa prije slušanja ove emisije, bit ćete sada.
Attribution 3.0 Licence Creative Commons
0 likesThèmes John Kay, Michael Monarch, Rushton Moreve, Goldy McJohn, Jerry Edmonton, Steppenwolf, Fillmore West, rock classique, rock, psychédélique, Harley-Davidson, heavy metal, acid rock
Il s'agit d'un enregistrement sonore de Steppenwolf en tournée à l'appui de leur premier album «Steppenwolf» juste après la sortie de «Born to Be Wild» en single. Un enregistrement live rare du groupe dans son incarnation originale avec Rushton Moreve à la basse. Souvent attribué à "Sparrow Flight" .John Kay - guitare, chant, accordéon; Michael Monarch - guitare principale; Rushton Moreve - basse; Goldy McJohn - claviers; Jerry Edmonton - DrumsSteppenwolf a mené cette deuxième nuit de la course de trois nuits à Fillmore West avec une incarnation précoce et pré-signée de l'ouverture de Santana, suivie par Staple Singers. Cette performance capture Steppenwolf à un moment crucial, le début de leur carrière, alors que le groupe a connu ses premières saveurs de succès commercial à partir d'un single de leur premier album: l'hymne fougueux des motards «Born To Be Wild». Ils ont enregistré, mais n'ont pas encore sorti leur deuxième album (qui contenait le single "Magic Carpet Ride"), et ont commencé à interpréter du matériel plus aventureux et expérimental qui sera inclus sur cet album, avec des agrafes de leur premier album. ne pas inclure Born To Be Wild, c'est un peu important - c'est une excellente performance qui vous saisit et ne vous lâche pas. Le groupe débute avec une version fumeur de "Hoochie Coochie Man". Si vous ne saviez pas que le groupe de blues de Steppenwolf est au cœur, vous le saurez par la suite. Du blues psychédélique, peut-être, mais toujours du blues. Ce qui suit est «Tighten Up Your Wig», une chanson qui est essentiellement «Wells’ With The Kid »de Junior Wells, avec de nouvelles paroles de Kaya. Ce groupe était solide; la section rythmique exécute cet air, et Kay est également excellent à l'accordéon. Une version étendue de la chanson "Your Wall's Too High" suit, une chanson populaire de leur premier album. Ils ralentissent ensuite les choses avec un «Desperation» introspectif, avant de revenir à leurs racines blues avec une délicieuse version du classique de Muddy Waters «Baby Please Don’t Go», que Kay a souvent joué avec son groupe pré-steppenwolf Sparrow. Vers la fin du set, le groupe a sorti sa reprise de la chanson anti-drogue de Hoyt Axton, «The Pusher». Kay annonce à la fin de la chanson qu'il va faire une courte pause en raison d'un problème d'ampli; ils reviennent pour terminer cet enregistrement avec un jam blues prolongé sur "Disappointment Number (Unknown)" qui se développe en "Lost and Found By Trial and Error", puis "Hodge Podge, Strained Through A Leslie", et se termine par un hot run through "Resurrection.". En 1968, Steppenwolf avait un flair indéniable pour créer de la musique plus lourde que le prix habituel de la radio AM, mais dépassait ces limites et devint extrêmement populaire dans les formats radio AM et FM. Ils étaient très originaux et ont été l'un des pionniers du "hard rock" qui serait finalement connu sous le nom de "heavy metal" - un terme, en fait, directement inventé de l'expression "heavy metal thunder" dans les paroles de la chanson "Born Être sauvage ".
Si vous n’étiez pas fan de Steppenwolf avant d’écouter cette émission, vous le serez maintenant.