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{"kind": "youtube#commentThread", "etag": "oN17Y0t7XMt3P8ACE6pOUTx21I0", "id": "UgyQeK_c_EA6WS1a51p4AaABAg", "snippet": {"videoId": "gj7GTQ8od4w", "topLevelComment": {"kind": "youtube#comment", "etag": "DsEO15TQCJFBsFrXEXNgqPdC4Dw", "id": "UgyQeK_c_EA6WS1a51p4AaABAg", "snippet": {"videoId": "gj7GTQ8od4w", "textDisplay": "They come for a long time, but it's well worth the wait. This album contains the first efforts of a group that has undergon all the changes in the rapidly changing music scene. Personally, I think they've made all the necessary transitions. Not only does the album feature beautiful slow-type ballads, but it moves easily into hard rock in a big way. Nice hard rock/psych from Ohio. According to the notes, the songs are more or less improvised in the studio. The bonus song "Tomorrow's Sunlight" was a single and shows that the band could be a very good songwriter when they decide to do so. The album itself is pretty good, just less structured. This album is extremely rare, and the cover itself was used for several other private journalism albums probably of equal ambiguity.ladislav&zivanovic1971. Three musicians with very different backgrounds gathered to form The Leslie's Motel Band. The founders were Richard Bush, Mike Seibold and myself, Bill Tullis. Richard has long been a keyboardist with blue eyed soul band Tom Dooley and the Lovelights.Mike moved to Louisville from Baltimore to attend college, and had family ties to Felix Pappillardi, producer of several cream albums and bassist with Mountain. This gave him a very tense style that gave him the job of lead guitarist in one of the first "difficult" blues bands in Louisville, Conception. I started out as a folk singer playing in clubs around town like The Arts of Louisville House.This club later became Changes Unlimited and then Kaleidoscope, the first psychedelic nightclub in Louisville, Ky. I spent a lot of exciting nights playing in these clubs with Jay Petach, the engineer of this CD, when we were members of Oxford. The most memorable evening was when we opened for Frank Zappa and spent some time talking to him about the music business. After I left Oxford I started a group called Conception and that's when Mike and I started playing together. At the urging of a friend, I went to see a band in Nashville at a club called Briar Patch and saw, what I thought at the time, was the best live band I'd ever heard. Their name was The Allman Joys, which later became the Allman Brothers Band, and I knew my musical journey would change. After the release of ABB's first album, Mike and I disbanded Conception and looked for some new musicians to be a part of this Southern rock sound. We went to a club called Zanzibar and explained to Richard, during one of his breaks, which we had in mind. He was immediately excited and we started looking for other local musicians to finish the band. Although we went through many different lineups together during the five years of Leslie's motel, I believe the group on this CD was LMB at its peak. Before I get into the other three fantastic musicians here, I think the story of naming the band needs to be told. When we started practicing in the garage at Dixie Highway in Louisville, we would walk past Leslie's motel every day.It was rumored to be a house of "bad repute" (mostly for soldiers coming and going from Fort Knox) and from how the sign was lit up, it means they're open for business. The sign became a topic of conversation in rehearsals regularly until one day Mike suggested we call the band Leslie's Motel. After a lot of laughter we decided it was as good a name as any and the name was left! In these first rehearsals we did several allman brothers covers and it greatly influenced our writing. Ray Barrickman and Jay and I went to the same high school and had a band called The Specters. This group later became the second generation of Oxford. Ray and I once wrote a song together that we performed at senior hall. It was supposed to be a tribute to our "wonderful" high school experience. Instead, it was a move towards the school's principal and staff, memories of smoking in the boy's room, suspensions for cutting school and too long hair augmentation. We almost got kicked out for that song, so Ray and I "had a past"!! At the time of writing these notes, Ray was also a singer at Oxfords only a nationally released single, so he was an excellent addition to the LMB. Paul Hoerni was a third-generation Oxford drummer with Jay when they recorded most of their recording. He also played drums in several outstanding bands around town and had this Butch Trucks feeling somehow. Jay and I spent time with Butch at Changes Unlimited while playing concerts with his band The Tiffany System, before he was at ABB. We both recognized similarities and talent. Paul joined the band and we started out as a fiver. The Louisville Windmill Club became our home base to discern our ideas, and the Belle Starr Saloon in Buffalo, New York, became our home away from home. We played a circle of clubs from the far north to Boston to the west to St. Louis and south to Florida. Many times we have also been given the opportunity to open for national recording artists, which I will list in a minute, and this brings us to the last member to join .......by Ladislav&Zivanovic\u2026\u2026.", "textOriginal": "They come for a long time, but it's well worth the wait. This album contains the first efforts of a group that has undergon all the changes in the rapidly changing music scene. Personally, I think they've made all the necessary transitions. Not only does the album feature beautiful slow-type ballads, but it moves easily into hard rock in a big way. Nice hard rock/psych from Ohio. According to the notes, the songs are more or less improvised in the studio. The bonus song \"Tomorrow's Sunlight\" was a single and shows that the band could be a very good songwriter when they decide to do so. The album itself is pretty good, just less structured. This album is extremely rare, and the cover itself was used for several other private journalism albums probably of equal ambiguity.ladislav&zivanovic1971. Three musicians with very different backgrounds gathered to form The Leslie's Motel Band. The founders were Richard Bush, Mike Seibold and myself, Bill Tullis. Richard has long been a keyboardist with blue eyed soul band Tom Dooley and the Lovelights.Mike moved to Louisville from Baltimore to attend college, and had family ties to Felix Pappillardi, producer of several cream albums and bassist with Mountain. This gave him a very tense style that gave him the job of lead guitarist in one of the first \"difficult\" blues bands in Louisville, Conception. I started out as a folk singer playing in clubs around town like The Arts of Louisville House.This club later became Changes Unlimited and then Kaleidoscope, the first psychedelic nightclub in Louisville, Ky. I spent a lot of exciting nights playing in these clubs with Jay Petach, the engineer of this CD, when we were members of Oxford. The most memorable evening was when we opened for Frank Zappa and spent some time talking to him about the music business. After I left Oxford I started a group called Conception and that's when Mike and I started playing together. At the urging of a friend, I went to see a band in Nashville at a club called Briar Patch and saw, what I thought at the time, was the best live band I'd ever heard. Their name was The Allman Joys, which later became the Allman Brothers Band, and I knew my musical journey would change. After the release of ABB's first album, Mike and I disbanded Conception and looked for some new musicians to be a part of this Southern rock sound. We went to a club called Zanzibar and explained to Richard, during one of his breaks, which we had in mind. He was immediately excited and we started looking for other local musicians to finish the band. Although we went through many different lineups together during the five years of Leslie's motel, I believe the group on this CD was LMB at its peak. Before I get into the other three fantastic musicians here, I think the story of naming the band needs to be told. When we started practicing in the garage at Dixie Highway in Louisville, we would walk past Leslie's motel every day.It was rumored to be a house of \"bad repute\" (mostly for soldiers coming and going from Fort Knox) and from how the sign was lit up, it means they're open for business. The sign became a topic of conversation in rehearsals regularly until one day Mike suggested we call the band Leslie's Motel. After a lot of laughter we decided it was as good a name as any and the name was left! In these first rehearsals we did several allman brothers covers and it greatly influenced our writing. Ray Barrickman and Jay and I went to the same high school and had a band called The Specters. This group later became the second generation of Oxford. Ray and I once wrote a song together that we performed at senior hall. It was supposed to be a tribute to our \"wonderful\" high school experience. Instead, it was a move towards the school's principal and staff, memories of smoking in the boy's room, suspensions for cutting school and too long hair augmentation. We almost got kicked out for that song, so Ray and I \"had a past\"!! At the time of writing these notes, Ray was also a singer at Oxfords only a nationally released single, so he was an excellent addition to the LMB. Paul Hoerni was a third-generation Oxford drummer with Jay when they recorded most of their recording. He also played drums in several outstanding bands around town and had this Butch Trucks feeling somehow. Jay and I spent time with Butch at Changes Unlimited while playing concerts with his band The Tiffany System, before he was at ABB. We both recognized similarities and talent. Paul joined the band and we started out as a fiver. The Louisville Windmill Club became our home base to discern our ideas, and the Belle Starr Saloon in Buffalo, New York, became our home away from home. We played a circle of clubs from the far north to Boston to the west to St. Louis and south to Florida. Many times we have also been given the opportunity to open for national recording artists, which I will list in a minute, and this brings us to the last member to join .......by Ladislav&Zivanovic\u2026\u2026.", "authorDisplayName": "ladislav zivanovic", "authorProfileImageUrl": "https://yt3.ggpht.com/WjFIxGZTrtHSpXknO9UDIXfY59EnD6uzqMcLBWviNY1wa6Cx4Og47vukQuHz6sTwmTmgEWDVxQ=s48-c-k-c0x00ffffff-no-rj", "authorChannelUrl": "http://www.youtube.com/channel/UC45IlCLYzJj6j6HoJ1F39SQ", "authorChannelId": {"value": "UC45IlCLYzJj6j6HoJ1F39SQ"}, "canRate": true, "viewerRating": "none", "likeCount": 0, "publishedAt": "2021-09-22T10:06:21Z", "updatedAt": "2021-09-22T10:06:21Z"}}, "canReply": true, "totalReplyCount": 0, "isPublic": true}}
{"kind": "youtube#commentThread", "etag": "hQQ7O46SRCnadCzVeM_fmDPWZQc", "id": "Ugz6uzInj2Fiyews9dV4AaABAg", "snippet": {"videoId": "gj7GTQ8od4w", "topLevelComment": {"kind": "youtube#comment", "etag": "V3IHCioDHeetEEQnSLVaPkBl1zY", "id": "Ugz6uzInj2Fiyews9dV4AaABAg", "snippet": {"videoId": "gj7GTQ8od4w", "textDisplay": "Dugo vremena dolaze, ali dobro vrijedi \u010dekati. Ovaj album sadr\u017ei prve napore grupe koja je pretrpjela sve promjene glazbene scene koja se brzo mijenja. Osobno smatram da su napravili sve potrebne prijelaze. Ne samo da album sadr\u017ei prekrasne balade sporog tipa, ve\u0107 se lako kre\u0107e u hard rock na veliki na\u010din.Lijep hard rock/psych iz Ohia. Prema notama, pjesme su manje-vi\u0161e improvizirane u studiju. Bonus pjesma "Tomorrow's Sunlight" bila je singl i pokazuje da bi bend mogao biti jako dobar tekstopisac kada se odlu\u010de na to. I sam album je prili\u010dno dobar, samo manje strukturiran. Ovaj album je iznimno rijedak, a sama naslovnica kori\u0161tena je za jo\u0161 nekoliko privatnih novinarskih albuma vjerojatno jednake nejasno\u0107e.ladislav&zivanovic1971. tri glazbenika s vrlo razli\u010ditim pozadinama okupila su se kako bi osnovali The Leslie's Motel Band. Osniva\u010di su bili Richard Bush, Mike Seibold i ja, Bill Tullis. Richard je dugo bio klavijaturist s blue eyed soul bendom Tom Dooley i Lovelights.Mike se preselio u Louisville iz Baltimorea kako bi poha\u0111ao fakultet, a imao je obiteljske veze s Felixom Pappillardijem, producentom nekoliko cream albuma i basistom s Mountainom. To mu je dalo vrlo napet stil koji mu je dao posao glavnog gitarista u jednom od prvih "te\u0161kih" blues bendova u Louisvilleu, Conception. Po\u010deo sam kao folk pjeva\u010d sviraju\u0107i u klubovima po gradu poput The Arts of Louisville House.Ovaj klub je kasnije postao Changes Unlimited, a zatim Kaleidoskop, prvi psihodeli\u010dni no\u0107ni klubovi u Louisvilleu, Ky. Proveo sam mnogo uzbudljivih no\u0107i sviraju\u0107i u tim klubovima s Jay petachom, in\u017eenjerom ovog CD-a, dok smo bili \u010dlanovi Oxforda. Najupe\u010datljivija ve\u010der bila je kada smo otvorili za Franka Zappu i proveli neko vrijeme razgovaraju\u0107i s njim o glazbenom biznisu. Nakon odlaska iz Oxforda osnovao sam grupu Conception i tada smo Mike i ja po\u010deli svirati zajedno. Na nagovor prijatelja, oti\u0161ao sam vidjeti bend u Nashvilleu u klubu koji se zove Briar Patch i vidio, ono \u0161to sam tada mislio, bio je najbolji live bend koji sam ikada \u010duo. Ime im je bilo The Allman Joys, koji je kasnije postao Allman Brothers Band, i znao sam da \u0107e se moj glazbeni put promijeniti. Nakon objavljivanja PRVOG ABB-ovog albuma Mike i ja raspustili smo Conception i potra\u017eili neke nove glazbenike da budu dio ovog ju\u017enja\u010dkog rock zvuka. Oti\u0161li smo u klub po imenu Zanzibar i objasnili Richardu, tijekom jedne od njegovih pauza, \u0161to smo imali na umu. Odmah je bio uzbu\u0111en i po\u010deli smo tra\u017eiti druge doma\u0107e glazbenike kako bismo dovr\u0161ili bend. Iako smo tijekom pet godina Leslienog motela zajedno pro\u0161li kroz mnogo razli\u010ditih postava, vjerujem da je grupa na ovom CD-u bila LMB na vrhuncu. Prije nego \u0161to u\u0111em u ostala tri fantasti\u010dna glazbenika ovdje, mislim da pri\u010du o imenovanju benda treba ispri\u010dati. Kada smo po\u010deli vje\u017ebati u gara\u017ei kod Dixie Highwaya u Louisvilleu, svaki dan bismo prolazili pored Leslienog motela.\u0160u\u0161kalo se da je to ku\u0107a "lo\u0161eg ugleda" (uglavnom za vojnike koji dolaze i odlaze iz Fort Knoxa) i prema tome kako je znak osvijetljen, zna\u010di da su otvoreni za posao. Znak je postao tema razgovora na probama redovito sve dok jednog dana Mike nije predlo\u017eio da nazovemo bend Leslie's Motel. Nakon dosta smijeha odlu\u010dili smo da je to dobro ime kao i svako drugo i ime je ostalo! Na tim prvim probama odradili smo nekoliko naslovnica Allman Brothersa i to je uvelike utjecalo na na\u0161e pisanje. Ray Barrickman i Jay i ja smo i\u0161li u istu srednju \u0161kolu i imali bend koji se zvao The Specters. Ta je skupina kasnije postala druga generacija Oxforda. Ray i ja smo jednom zajedno napisali pjesmu koju smo izveli na seniorskoj skup\u0161tini. To je trebalo biti priznanje na\u0161em "divnom" srednjo\u0161kolskom iskustvu. Umjesto toga, to je bio potez prema ravnatelju i osoblju \u0161kole, sje\u0107anja na pu\u0161enje u dje\u010dakovoj sobi, suspenzije za rezanje \u0161kole i predugo pove\u0107anje kose. Skoro su nas izbacili zbog te pjesme pa smo Ray i ja "imali pro\u0161lost"!! U vrijeme pisanja ovih bilje\u0161ki, Ray je bio i pjeva\u010d na Oxfordsu samo nacionalno objavljen singl, tako da je bio izvrstan dodatak LMB-u. Paul Hoerni bio je bubnjar tre\u0107e generacije Oxforda s Jayem kada su snimili ve\u0107inu svog snimanja. Tako\u0111er je svirao bubnjeve u nekoliko izvanrednih bendova po gradu i imao je taj Butch Trucks nekako osje\u0107aj. Jay i ja smo proveli vrijeme s Butchom u Changes Unlimitedu dok je svirao koncerte sa svojim bendom The Tiffany System, prije nego \u0161to je bio u ABB-u. Oboje smo prepoznali sli\u010dnosti i talent. Paul se pridru\u017eio bendu i po\u010deli smo kao petorka. Klub vjetrenja\u010da u Louisvilleu postao je na\u0161a mati\u010dna baza kako bi se razaznali na\u0161i ideje, a Saloon Belle Starr u Buffalu u New Yorku postao je na\u0161 dom daleko od ku\u0107e. Igrali smo krug klubova od dalekog sjevera do Bostona do zapada do St. Louisa i ju\u017eno do Floride. Mnogo puta smo tako\u0111er dobili priliku otvoriti za nacionalne izvo\u0111a\u010de snimanja, koje \u0107u navesti za minutu, a to nas dovodi do posljednjeg \u010dlana koji se pridru\u017eio LMB.But show koji se najvi\u0161e isti\u010de za mene bio je vrhunac mog glazbenog \u017eivota. Otvarali smo za legendarnog Johna Lee Hookera u The Brass Railu u Orchard Parku, NY, malo izvan Buffala, kada mi je g. Hooker pri\u0161ao nakon na\u0161eg seta i rekao: "Sine, nemam igra\u010da harfe sa sobom ve\u010deras. \u017delite li sjesti?". Gledaju\u0107i unatrag, ne mogu se sjetiti koliko sam pjesama svirao ili koliko dugo sam bio na pozornici. Sve \u010dega se sje\u0107am je da sam lebdjela na pozornici kad me nazvao! Pa, nadam se da \u0107ete u\u017eivati \u010ditaju\u0107i ove obloge.......by Ladislav&Zivanovic\u2026\u2026.", "textOriginal": "Dugo vremena dolaze, ali dobro vrijedi \u010dekati. Ovaj album sadr\u017ei prve napore grupe koja je pretrpjela sve promjene glazbene scene koja se brzo mijenja. Osobno smatram da su napravili sve potrebne prijelaze. Ne samo da album sadr\u017ei prekrasne balade sporog tipa, ve\u0107 se lako kre\u0107e u hard rock na veliki na\u010din.Lijep hard rock/psych iz Ohia. Prema notama, pjesme su manje-vi\u0161e improvizirane u studiju. Bonus pjesma \"Tomorrow's Sunlight\" bila je singl i pokazuje da bi bend mogao biti jako dobar tekstopisac kada se odlu\u010de na to. I sam album je prili\u010dno dobar, samo manje strukturiran. Ovaj album je iznimno rijedak, a sama naslovnica kori\u0161tena je za jo\u0161 nekoliko privatnih novinarskih albuma vjerojatno jednake nejasno\u0107e.ladislav&zivanovic1971. tri glazbenika s vrlo razli\u010ditim pozadinama okupila su se kako bi osnovali The Leslie's Motel Band. Osniva\u010di su bili Richard Bush, Mike Seibold i ja, Bill Tullis. Richard je dugo bio klavijaturist s blue eyed soul bendom Tom Dooley i Lovelights.Mike se preselio u Louisville iz Baltimorea kako bi poha\u0111ao fakultet, a imao je obiteljske veze s Felixom Pappillardijem, producentom nekoliko cream albuma i basistom s Mountainom. To mu je dalo vrlo napet stil koji mu je dao posao glavnog gitarista u jednom od prvih \"te\u0161kih\" blues bendova u Louisvilleu, Conception. Po\u010deo sam kao folk pjeva\u010d sviraju\u0107i u klubovima po gradu poput The Arts of Louisville House.Ovaj klub je kasnije postao Changes Unlimited, a zatim Kaleidoskop, prvi psihodeli\u010dni no\u0107ni klubovi u Louisvilleu, Ky. Proveo sam mnogo uzbudljivih no\u0107i sviraju\u0107i u tim klubovima s Jay petachom, in\u017eenjerom ovog CD-a, dok smo bili \u010dlanovi Oxforda. Najupe\u010datljivija ve\u010der bila je kada smo otvorili za Franka Zappu i proveli neko vrijeme razgovaraju\u0107i s njim o glazbenom biznisu. Nakon odlaska iz Oxforda osnovao sam grupu Conception i tada smo Mike i ja po\u010deli svirati zajedno. Na nagovor prijatelja, oti\u0161ao sam vidjeti bend u Nashvilleu u klubu koji se zove Briar Patch i vidio, ono \u0161to sam tada mislio, bio je najbolji live bend koji sam ikada \u010duo. Ime im je bilo The Allman Joys, koji je kasnije postao Allman Brothers Band, i znao sam da \u0107e se moj glazbeni put promijeniti. Nakon objavljivanja PRVOG ABB-ovog albuma Mike i ja raspustili smo Conception i potra\u017eili neke nove glazbenike da budu dio ovog ju\u017enja\u010dkog rock zvuka. Oti\u0161li smo u klub po imenu Zanzibar i objasnili Richardu, tijekom jedne od njegovih pauza, \u0161to smo imali na umu. Odmah je bio uzbu\u0111en i po\u010deli smo tra\u017eiti druge doma\u0107e glazbenike kako bismo dovr\u0161ili bend. Iako smo tijekom pet godina Leslienog motela zajedno pro\u0161li kroz mnogo razli\u010ditih postava, vjerujem da je grupa na ovom CD-u bila LMB na vrhuncu. Prije nego \u0161to u\u0111em u ostala tri fantasti\u010dna glazbenika ovdje, mislim da pri\u010du o imenovanju benda treba ispri\u010dati. Kada smo po\u010deli vje\u017ebati u gara\u017ei kod Dixie Highwaya u Louisvilleu, svaki dan bismo prolazili pored Leslienog motela.\u0160u\u0161kalo se da je to ku\u0107a \"lo\u0161eg ugleda\" (uglavnom za vojnike koji dolaze i odlaze iz Fort Knoxa) i prema tome kako je znak osvijetljen, zna\u010di da su otvoreni za posao. Znak je postao tema razgovora na probama redovito sve dok jednog dana Mike nije predlo\u017eio da nazovemo bend Leslie's Motel. Nakon dosta smijeha odlu\u010dili smo da je to dobro ime kao i svako drugo i ime je ostalo! Na tim prvim probama odradili smo nekoliko naslovnica Allman Brothersa i to je uvelike utjecalo na na\u0161e pisanje. Ray Barrickman i Jay i ja smo i\u0161li u istu srednju \u0161kolu i imali bend koji se zvao The Specters. Ta je skupina kasnije postala druga generacija Oxforda. Ray i ja smo jednom zajedno napisali pjesmu koju smo izveli na seniorskoj skup\u0161tini. To je trebalo biti priznanje na\u0161em \"divnom\" srednjo\u0161kolskom iskustvu. Umjesto toga, to je bio potez prema ravnatelju i osoblju \u0161kole, sje\u0107anja na pu\u0161enje u dje\u010dakovoj sobi, suspenzije za rezanje \u0161kole i predugo pove\u0107anje kose. Skoro su nas izbacili zbog te pjesme pa smo Ray i ja \"imali pro\u0161lost\"!! U vrijeme pisanja ovih bilje\u0161ki, Ray je bio i pjeva\u010d na Oxfordsu samo nacionalno objavljen singl, tako da je bio izvrstan dodatak LMB-u. Paul Hoerni bio je bubnjar tre\u0107e generacije Oxforda s Jayem kada su snimili ve\u0107inu svog snimanja. Tako\u0111er je svirao bubnjeve u nekoliko izvanrednih bendova po gradu i imao je taj Butch Trucks nekako osje\u0107aj. Jay i ja smo proveli vrijeme s Butchom u Changes Unlimitedu dok je svirao koncerte sa svojim bendom The Tiffany System, prije nego \u0161to je bio u ABB-u. Oboje smo prepoznali sli\u010dnosti i talent. Paul se pridru\u017eio bendu i po\u010deli smo kao petorka. Klub vjetrenja\u010da u Louisvilleu postao je na\u0161a mati\u010dna baza kako bi se razaznali na\u0161i ideje, a Saloon Belle Starr u Buffalu u New Yorku postao je na\u0161 dom daleko od ku\u0107e. Igrali smo krug klubova od dalekog sjevera do Bostona do zapada do St. Louisa i ju\u017eno do Floride. Mnogo puta smo tako\u0111er dobili priliku otvoriti za nacionalne izvo\u0111a\u010de snimanja, koje \u0107u navesti za minutu, a to nas dovodi do posljednjeg \u010dlana koji se pridru\u017eio LMB.But show koji se najvi\u0161e isti\u010de za mene bio je vrhunac mog glazbenog \u017eivota. Otvarali smo za legendarnog Johna Lee Hookera u The Brass Railu u Orchard Parku, NY, malo izvan Buffala, kada mi je g. Hooker pri\u0161ao nakon na\u0161eg seta i rekao: \"Sine, nemam igra\u010da harfe sa sobom ve\u010deras. \u017delite li sjesti?\". Gledaju\u0107i unatrag, ne mogu se sjetiti koliko sam pjesama svirao ili koliko dugo sam bio na pozornici. Sve \u010dega se sje\u0107am je da sam lebdjela na pozornici kad me nazvao! Pa, nadam se da \u0107ete u\u017eivati \u010ditaju\u0107i ove obloge.......by Ladislav&Zivanovic\u2026\u2026.", "authorDisplayName": "ladislav zivanovic", "authorProfileImageUrl": "https://yt3.ggpht.com/WjFIxGZTrtHSpXknO9UDIXfY59EnD6uzqMcLBWviNY1wa6Cx4Og47vukQuHz6sTwmTmgEWDVxQ=s48-c-k-c0x00ffffff-no-rj", "authorChannelUrl": "http://www.youtube.com/channel/UC45IlCLYzJj6j6HoJ1F39SQ", "authorChannelId": {"value": "UC45IlCLYzJj6j6HoJ1F39SQ"}, "canRate": true, "viewerRating": "none", "likeCount": 0, "publishedAt": "2021-09-22T10:02:49Z", "updatedAt": "2021-09-22T10:05:50Z"}}, "canReply": true, "totalReplyCount": 0, "isPublic": true}}
{"kind": "youtube#commentThread", "etag": "NxDyl0bYteeaq8SlXCzFvCZPCqo", "id": "UgxEXlIDalX0Wl2T3nB4AaABAg", "snippet": {"videoId": "gj7GTQ8od4w", "topLevelComment": {"kind": "youtube#comment", "etag": "XKykfjjwhf5bm9fZcvyCw6-bTos", "id": "UgxEXlIDalX0Wl2T3nB4AaABAg", "snippet": {"videoId": "gj7GTQ8od4w", "textDisplay": "Ils viennent pour longtemps, mais cela vaut bien l\u2019attente. Cet album contient les premiers efforts d\u2019un groupe qui a subi tous les changements dans la sc\u00e8ne musicale en \u00e9volution rapide. Personnellement, je pense qu\u2019ils ont fait toutes les transitions n\u00e9cessaires. Non seulement l\u2019album comporte de belles ballades de type lent, mais il se d\u00e9place facilement dans le hard rock d\u2019une grande mani\u00e8re. Nice hard rock / psych de l\u2019Ohio. Selon les notes, les chansons sont plus ou moins improvis\u00e9es en studio. La chanson bonus \u00ab\u00a0Tomorrow\u2019s Sunlight\u00a0\u00bb \u00e9tait un single et montre que le groupe pourrait \u00eatre un tr\u00e8s bon auteur-compositeur quand ils d\u00e9cident de le faire. L\u2019album lui-m\u00eame est assez bon, juste moins structur\u00e9. Cet album est extr\u00eamement rare, et la couverture elle-m\u00eame a \u00e9t\u00e9 utilis\u00e9e pour plusieurs autres albums de journalisme priv\u00e9s probablement d\u2019une ambigu\u00eft\u00e9 \u00e9gale.ladislav&zivanovic1971. Trois musiciens d\u2019horizons tr\u00e8s diff\u00e9rents se sont r\u00e9unis pour former The Leslie\u2019s Motel Band. Les fondateurs \u00e9taient Richard Bush, Mike Seibold et moi-m\u00eame, Bill Tullis. Richard a longtemps \u00e9t\u00e9 clavi\u00e9riste avec le groupe de soul aux yeux bleus Tom Dooley and the Lovelights.Mike a d\u00e9m\u00e9nag\u00e9 \u00e0 Louisville de Baltimore pour aller \u00e0 l\u2019universit\u00e9, et a eu des liens familiaux avec Felix Pappillardi, producteur de plusieurs albums de cr\u00e8me et bassiste avec Mountain. Cela lui a donn\u00e9 un style tr\u00e8s tendu qui lui a donn\u00e9 le travail de guitariste principal dans l\u2019un des premiers groupes de blues \u00ab\u00a0difficiles\u00a0\u00bb \u00e0 Louisville, Conception. J\u2019ai commenc\u00e9 comme un chanteur folklorique jouant dans des clubs autour de la ville comme The Arts of Louisville House.This club est devenu plus tard Changes Unlimited, puis Kaleidoscope, la premi\u00e8re bo\u00eete de nuit psych\u00e9d\u00e9lique \u00e0 Louisville, Ky. J\u2019ai pass\u00e9 beaucoup de soir\u00e9es passionnantes \u00e0 jouer dans ces clubs avec Jay Petach, l\u2019ing\u00e9nieur de ce CD, lorsque nous \u00e9tions membres d\u2019Oxford. La soir\u00e9e la plus m\u00e9morable a \u00e9t\u00e9 lorsque nous avons ouvert pour Frank Zappa et avons pass\u00e9 du temps \u00e0 lui parler de l\u2019industrie de la musique. Apr\u00e8s avoir quitt\u00e9 Oxford, j\u2019ai cr\u00e9\u00e9 un groupe appel\u00e9 Conception et c\u2019est \u00e0 ce moment-l\u00e0 que Mike et moi avons commenc\u00e9 \u00e0 jouer ensemble. \u00c0 la demande pressante d\u2019un ami, je suis all\u00e9 voir un groupe \u00e0 Nashville dans un club appel\u00e9 Briar Patch et j\u2019ai vu, ce que je pensais \u00e0 l\u2019\u00e9poque, c\u2019\u00e9tait le meilleur groupe live que j\u2019avais jamais entendu. Ils s\u2019appelaient The Allman Joys, qui devint plus tard l\u2019Allman Brothers Band, et je savais que mon parcours musical allait changer. Apr\u00e8s la sortie du premier album d\u2019ABB, Mike et moi avons dissous Conception et avons cherch\u00e9 de nouveaux musiciens pour faire partie de ce son rock du Sud. Nous sommes all\u00e9s dans un club appel\u00e9 Zanzibar et avons expliqu\u00e9 \u00e0 Richard, pendant l\u2019une de ses pauses, que nous avions \u00e0 l\u2019esprit. Il a \u00e9t\u00e9 imm\u00e9diatement excit\u00e9 et nous avons commenc\u00e9 \u00e0 chercher d\u2019autres musiciens locaux pour terminer le groupe. Bien que nous ayons travers\u00e9 de nombreuses files d\u2019attente diff\u00e9rentes ensemble au cours des cinq ann\u00e9es du motel de Leslie, je crois que le groupe sur ce CD \u00e9tait LMB \u00e0 son apog\u00e9e. Avant d\u2019entrer dans les trois autres musiciens fantastiques ici, je pense que l\u2019histoire de nommer le groupe doit \u00eatre racont\u00e9e. Lorsque nous avons commenc\u00e9 \u00e0 pratiquer dans le garage de Dixie Highway \u00e0 Louisville, nous passions devant le motel de Leslie chaque day.It la rumeur disait que c\u2019\u00e9tait une maison de \u00ab\u00a0mauvaise r\u00e9putation\u00a0\u00bb (principalement pour les soldats qui allaient et venaient de Fort Knox) et de la fa\u00e7on dont le panneau \u00e9tait \u00e9clair\u00e9, cela signifie qu\u2019ils sont ouverts aux affaires. Le panneau est devenu un sujet de conversation dans les r\u00e9p\u00e9titions r\u00e9guli\u00e8rement jusqu\u2019au jour o\u00f9 Mike a sugg\u00e9r\u00e9 que nous appelions le groupe Leslie\u2019s Motel. Apr\u00e8s beaucoup de rires, nous avons d\u00e9cid\u00e9 que c\u2019\u00e9tait un aussi bon nom que n\u2019importe quel autre et le nom a \u00e9t\u00e9 laiss\u00e9! Lors de ces premi\u00e8res r\u00e9p\u00e9titions, nous avons fait plusieurs reprises de allman brothers et cela a grandement influenc\u00e9 notre \u00e9criture. Ray Barrickman et Jay et moi sommes all\u00e9s \u00e0 la m\u00eame \u00e9cole secondaire et avions un groupe appel\u00e9 The Specters. Ce groupe est devenu plus tard la deuxi\u00e8me g\u00e9n\u00e9ration d\u2019Oxford. Ray et moi avons une fois \u00e9crit une chanson ensemble que nous avons jou\u00e9e \u00e0 la salle senior. C\u2019\u00e9tait cens\u00e9 \u00eatre un hommage \u00e0 notre \u00ab\u00a0merveilleuse\u00a0\u00bb exp\u00e9rience \u00e0 l\u2019\u00e9cole secondaire. Au lieu de cela, il s\u2019agissait d\u2019un mouvement vers le directeur et le personnel de l\u2019\u00e9cole, des souvenirs de fumer dans la chambre du gar\u00e7on, des suspensions pour avoir coup\u00e9 l\u2019\u00e9cole et une augmentation des cheveux trop longue. Nous avons presque \u00e9t\u00e9 expuls\u00e9s pour cette chanson, alors Ray et moi \u00ab\u00a0avions un pass\u00e9\u00a0\u00bb!! Au moment d\u2019\u00e9crire ces notes, Ray \u00e9tait \u00e9galement un chanteur \u00e0 Oxfords seulement un single sorti \u00e0 l\u2019\u00e9chelle nationale, donc il \u00e9tait un excellent ajout \u00e0 la LMB. Paul Hoerni \u00e9tait un batteur de troisi\u00e8me g\u00e9n\u00e9ration d\u2019Oxford avec Jay quand ils ont enregistr\u00e9 la plupart de leurs enregistrements. Il a \u00e9galement jou\u00e9 de la batterie dans plusieurs groupes exceptionnels autour de la ville et avait ce Sentiment Butch Trucks en quelque sorte. Jay et moi avons pass\u00e9 du temps avec Butch \u00e0 Changes Unlimited tout en jouant des concerts avec son groupe The Tiffany System, avant qu\u2019il ne soit \u00e0 ABB. Nous avons tous deux reconnu les similitudes et le talent. Paul a rejoint le groupe et nous avons commenc\u00e9 comme un fiver. Le Louisville Windmill Club est devenu notre base d\u2019attache pour discerner nos id\u00e9es, et le Belle Starr Saloon \u00e0 Buffalo, New York, est devenu notre maison loin de chez nous. Nous avons jou\u00e9 un cercle de clubs de l\u2019extr\u00eame nord \u00e0 Boston \u00e0 l\u2019ouest \u00e0 St. Louis et au sud de la Floride. Plusieurs fois, nous avons \u00e9galement eu l\u2019occasion d\u2019ouvrir pour les artistes d\u2019enregistrement nationaux, que je vais \u00e9num\u00e9rer dans une minute, et cela nous am\u00e8ne au dernier membre \u00e0 rejoindre .......by Ladislav&Zivanovic\u2026\u2026.", "textOriginal": "Ils viennent pour longtemps, mais cela vaut bien l\u2019attente. Cet album contient les premiers efforts d\u2019un groupe qui a subi tous les changements dans la sc\u00e8ne musicale en \u00e9volution rapide. Personnellement, je pense qu\u2019ils ont fait toutes les transitions n\u00e9cessaires. Non seulement l\u2019album comporte de belles ballades de type lent, mais il se d\u00e9place facilement dans le hard rock d\u2019une grande mani\u00e8re. Nice hard rock / psych de l\u2019Ohio. Selon les notes, les chansons sont plus ou moins improvis\u00e9es en studio. La chanson bonus \u00ab\u00a0Tomorrow\u2019s Sunlight\u00a0\u00bb \u00e9tait un single et montre que le groupe pourrait \u00eatre un tr\u00e8s bon auteur-compositeur quand ils d\u00e9cident de le faire. L\u2019album lui-m\u00eame est assez bon, juste moins structur\u00e9. Cet album est extr\u00eamement rare, et la couverture elle-m\u00eame a \u00e9t\u00e9 utilis\u00e9e pour plusieurs autres albums de journalisme priv\u00e9s probablement d\u2019une ambigu\u00eft\u00e9 \u00e9gale.ladislav&zivanovic1971. Trois musiciens d\u2019horizons tr\u00e8s diff\u00e9rents se sont r\u00e9unis pour former The Leslie\u2019s Motel Band. Les fondateurs \u00e9taient Richard Bush, Mike Seibold et moi-m\u00eame, Bill Tullis. Richard a longtemps \u00e9t\u00e9 clavi\u00e9riste avec le groupe de soul aux yeux bleus Tom Dooley and the Lovelights.Mike a d\u00e9m\u00e9nag\u00e9 \u00e0 Louisville de Baltimore pour aller \u00e0 l\u2019universit\u00e9, et a eu des liens familiaux avec Felix Pappillardi, producteur de plusieurs albums de cr\u00e8me et bassiste avec Mountain. Cela lui a donn\u00e9 un style tr\u00e8s tendu qui lui a donn\u00e9 le travail de guitariste principal dans l\u2019un des premiers groupes de blues \u00ab\u00a0difficiles\u00a0\u00bb \u00e0 Louisville, Conception. J\u2019ai commenc\u00e9 comme un chanteur folklorique jouant dans des clubs autour de la ville comme The Arts of Louisville House.This club est devenu plus tard Changes Unlimited, puis Kaleidoscope, la premi\u00e8re bo\u00eete de nuit psych\u00e9d\u00e9lique \u00e0 Louisville, Ky. J\u2019ai pass\u00e9 beaucoup de soir\u00e9es passionnantes \u00e0 jouer dans ces clubs avec Jay Petach, l\u2019ing\u00e9nieur de ce CD, lorsque nous \u00e9tions membres d\u2019Oxford. La soir\u00e9e la plus m\u00e9morable a \u00e9t\u00e9 lorsque nous avons ouvert pour Frank Zappa et avons pass\u00e9 du temps \u00e0 lui parler de l\u2019industrie de la musique. Apr\u00e8s avoir quitt\u00e9 Oxford, j\u2019ai cr\u00e9\u00e9 un groupe appel\u00e9 Conception et c\u2019est \u00e0 ce moment-l\u00e0 que Mike et moi avons commenc\u00e9 \u00e0 jouer ensemble. \u00c0 la demande pressante d\u2019un ami, je suis all\u00e9 voir un groupe \u00e0 Nashville dans un club appel\u00e9 Briar Patch et j\u2019ai vu, ce que je pensais \u00e0 l\u2019\u00e9poque, c\u2019\u00e9tait le meilleur groupe live que j\u2019avais jamais entendu. Ils s\u2019appelaient The Allman Joys, qui devint plus tard l\u2019Allman Brothers Band, et je savais que mon parcours musical allait changer. Apr\u00e8s la sortie du premier album d\u2019ABB, Mike et moi avons dissous Conception et avons cherch\u00e9 de nouveaux musiciens pour faire partie de ce son rock du Sud. Nous sommes all\u00e9s dans un club appel\u00e9 Zanzibar et avons expliqu\u00e9 \u00e0 Richard, pendant l\u2019une de ses pauses, que nous avions \u00e0 l\u2019esprit. Il a \u00e9t\u00e9 imm\u00e9diatement excit\u00e9 et nous avons commenc\u00e9 \u00e0 chercher d\u2019autres musiciens locaux pour terminer le groupe. Bien que nous ayons travers\u00e9 de nombreuses files d\u2019attente diff\u00e9rentes ensemble au cours des cinq ann\u00e9es du motel de Leslie, je crois que le groupe sur ce CD \u00e9tait LMB \u00e0 son apog\u00e9e. Avant d\u2019entrer dans les trois autres musiciens fantastiques ici, je pense que l\u2019histoire de nommer le groupe doit \u00eatre racont\u00e9e. Lorsque nous avons commenc\u00e9 \u00e0 pratiquer dans le garage de Dixie Highway \u00e0 Louisville, nous passions devant le motel de Leslie chaque day.It la rumeur disait que c\u2019\u00e9tait une maison de \u00ab\u00a0mauvaise r\u00e9putation\u00a0\u00bb (principalement pour les soldats qui allaient et venaient de Fort Knox) et de la fa\u00e7on dont le panneau \u00e9tait \u00e9clair\u00e9, cela signifie qu\u2019ils sont ouverts aux affaires. Le panneau est devenu un sujet de conversation dans les r\u00e9p\u00e9titions r\u00e9guli\u00e8rement jusqu\u2019au jour o\u00f9 Mike a sugg\u00e9r\u00e9 que nous appelions le groupe Leslie\u2019s Motel. Apr\u00e8s beaucoup de rires, nous avons d\u00e9cid\u00e9 que c\u2019\u00e9tait un aussi bon nom que n\u2019importe quel autre et le nom a \u00e9t\u00e9 laiss\u00e9! Lors de ces premi\u00e8res r\u00e9p\u00e9titions, nous avons fait plusieurs reprises de allman brothers et cela a grandement influenc\u00e9 notre \u00e9criture. Ray Barrickman et Jay et moi sommes all\u00e9s \u00e0 la m\u00eame \u00e9cole secondaire et avions un groupe appel\u00e9 The Specters. Ce groupe est devenu plus tard la deuxi\u00e8me g\u00e9n\u00e9ration d\u2019Oxford. Ray et moi avons une fois \u00e9crit une chanson ensemble que nous avons jou\u00e9e \u00e0 la salle senior. C\u2019\u00e9tait cens\u00e9 \u00eatre un hommage \u00e0 notre \u00ab\u00a0merveilleuse\u00a0\u00bb exp\u00e9rience \u00e0 l\u2019\u00e9cole secondaire. Au lieu de cela, il s\u2019agissait d\u2019un mouvement vers le directeur et le personnel de l\u2019\u00e9cole, des souvenirs de fumer dans la chambre du gar\u00e7on, des suspensions pour avoir coup\u00e9 l\u2019\u00e9cole et une augmentation des cheveux trop longue. Nous avons presque \u00e9t\u00e9 expuls\u00e9s pour cette chanson, alors Ray et moi \u00ab\u00a0avions un pass\u00e9\u00a0\u00bb!! Au moment d\u2019\u00e9crire ces notes, Ray \u00e9tait \u00e9galement un chanteur \u00e0 Oxfords seulement un single sorti \u00e0 l\u2019\u00e9chelle nationale, donc il \u00e9tait un excellent ajout \u00e0 la LMB. Paul Hoerni \u00e9tait un batteur de troisi\u00e8me g\u00e9n\u00e9ration d\u2019Oxford avec Jay quand ils ont enregistr\u00e9 la plupart de leurs enregistrements. Il a \u00e9galement jou\u00e9 de la batterie dans plusieurs groupes exceptionnels autour de la ville et avait ce Sentiment Butch Trucks en quelque sorte. Jay et moi avons pass\u00e9 du temps avec Butch \u00e0 Changes Unlimited tout en jouant des concerts avec son groupe The Tiffany System, avant qu\u2019il ne soit \u00e0 ABB. Nous avons tous deux reconnu les similitudes et le talent. Paul a rejoint le groupe et nous avons commenc\u00e9 comme un fiver. Le Louisville Windmill Club est devenu notre base d\u2019attache pour discerner nos id\u00e9es, et le Belle Starr Saloon \u00e0 Buffalo, New York, est devenu notre maison loin de chez nous. Nous avons jou\u00e9 un cercle de clubs de l\u2019extr\u00eame nord \u00e0 Boston \u00e0 l\u2019ouest \u00e0 St. Louis et au sud de la Floride. Plusieurs fois, nous avons \u00e9galement eu l\u2019occasion d\u2019ouvrir pour les artistes d\u2019enregistrement nationaux, que je vais \u00e9num\u00e9rer dans une minute, et cela nous am\u00e8ne au dernier membre \u00e0 rejoindre .......by Ladislav&Zivanovic\u2026\u2026.", "authorDisplayName": "ladislav zivanovic", "authorProfileImageUrl": "https://yt3.ggpht.com/WjFIxGZTrtHSpXknO9UDIXfY59EnD6uzqMcLBWviNY1wa6Cx4Og47vukQuHz6sTwmTmgEWDVxQ=s48-c-k-c0x00ffffff-no-rj", "authorChannelUrl": "http://www.youtube.com/channel/UC45IlCLYzJj6j6HoJ1F39SQ", "authorChannelId": {"value": "UC45IlCLYzJj6j6HoJ1F39SQ"}, "canRate": true, "viewerRating": "none", "likeCount": 0, "publishedAt": "2021-09-22T10:09:09Z", "updatedAt": "2021-09-22T10:09:09Z"}}, "canReply": true, "totalReplyCount": 0, "isPublic": true}}
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