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textDisplay: Majka Superior bila je rijetka vrsta, jer ne samo da su bili glazbenici očitog talenta, već su bili i ženska skupina odgovorna za snimanje definitivnog crossover albuma između progresivnog rocka i jazz rocka sredinom sedamdesetih. To je razdoblje bilo vrijeme tranzicije na britanskoj rock sceni; svijeća prog ere konačno je zatreperila dvije ili tri godine ranije, čak su i uspješniji bendovi koji su preživjeli njegovu smrt uglavnom bili u padu kako se punk sve više približavao Tijekom tog vremena pojavila se Majka Superior koja je pokazivala sklonost prema ranijem progresivnom zvuku, ali s jazz rock osjećajem i očaravajućim vokalima koji su spajali zamršene harmonije 'i lukavu međuigru čineći potpuno ugodnu izmišljotinu.Međutim, priroda ove glazbe je takva da svaki pokušaj pokušaja kategoriziranja je razvodnjavanje bogatstva stila i privlačnosti. Entuzijasti progresivnog doba mogu povući usporedbe sa Zemljom i Vatrom, Sandroseom i Fusion Orkestrom u kojima su sudjelovale pjevačice. Ali koliko je dobrih svih ženskih rock bendova bilo u 70-ima? Fanny mi pada na pamet i; Malo kasnije, bili su bjegunci. Nakon toga je borba. Ovdje imamo ovaj rijedak fenomen, čarobno pisanje pjesama i aranžiranje partnerstva Lesley Sly (klavijature) i Audrey Swinburne (gitare) često se izmjenjuju na glavnim vokalima dajući skladbama mješavinu nježnosti i osjetljivosti plus raskoš i duhovitost. Nadalje, njihova prikladnost u izazivanju improvizacije utjelovljena je opsežnim soliranjem, posebno u "Trgovcu raspoloženjem" i "No Time Toulouse Lautrec". Stalni ritam dio JackieJa Badgera (prstom gibson bas) i Jackie Crewa (bubnjevi i udaraljke) također dodaju prateće vokale gdje je to potrebno.Njihovo junaštvo u renoviranju starih pjesama i pretvaranju u vrlo slušane skladbe pojavljuje se u pjesmi 'Love The One You're With' i apsolutno sjajnoj verziji pjesme 'Lady Madonna'. Godine 1975. sastav je dobio priliku od strane IBC Studiosa iskoristiti sve noćne sesije snimanja u prekidu rada. Dok su se te snimke oblikovale, redovito su se giggingali, posebno u Londonu i okolici, u očekivanju predstojećeg diskografskog ugovora. Kružili su testni presingi, ali nevjerojatno, album nikada nije osigurao britansko izdanje. Ovaj neuspjeh potaknuo je bend da pogleda dalje u potrazi za dogovorom za svoje fino izrađeno, izvrsno umjetničko djelo, koje je doista trebalo steći automatsko pravo na svjetsko objavljivanje i priznanje da su prevladali predviđanje i prosvijećena prosudba.

authorDisplayName: ladislav zivanovic


textDisplay:
Instead, it was in Scandinavia, where greater appreciation of this exceptional group emerged. Mother Superior’s album finally escaped on a tiny SMA label, albeit in a ridiculously small amount making it impossible to locate these days. That LP. titled ‘Lady Madonna’ (Cat No SMA 3014), is featured here, on this painstakingly remastered CD along with the original artwork. Shortly after the release of the low-key album, the lineup abandoned their hopes of hitting a big road. Unfortunately too early. At a time when chauvinism was widespread in the music industry and where it was widely reported that girls could not play rock and roll, it was not surprising that their patience was desperately thin.

Mother Superior may not have been lucky in the draw, but maybe it was because they were such a unique band, not easily hidden by pigeons, which led to them being ultimately overlooked rather than becoming a sensation. In any case, we are honored to present to you this true lost gem that we hope you will cherish as much as we do.

Bassist Jackie Badger has joined Snips with former Wild Turkey guitarist Mick Dyche. About four decades later, their timeless skill and dazzling finesse can finally live on to enchant a new audience.
by Pedro Sassafras


textDisplay: Mother Superior était une espèce rare, car non seulement ils étaient des musiciens au talent évident, mais ils étaient également le groupe féminin responsable de l'enregistrement de l'album croisé définitif entre le rock progressif et le jazz rock au milieu des années 1970. Cette période a été une période de transition sur la scène rock britannique; la bougie de l'ère prog a finalement vacillé deux ou trois ans plus tôt, même les groupes les plus réussis qui ont survécu à sa mort étaient pour la plupart en déclin à mesure que le punk se rapprochait. Pendant ce temps, Mother Superior est apparu montrant un penchant pour le son progressif antérieur, mais avec le jazz sensation rock et voix enchanteresses qui combinent harmonies complexes et jeu astucieux pour en faire une fiction tout à fait plaisante.Toutefois, la nature de cette musique est telle que toute tentative de la catégoriser dilue la richesse du style et de l'attrait. Les passionnés de l'âge progressif peuvent faire des comparaisons avec Earth and Fire, Sandrose et le Fusion Orchestra auquel les chanteurs ont participé. Mais à quel point tous les groupes de rock féminins étaient-ils bons dans les années 70? Fanny vient à l'esprit et; Un peu plus tard, c'étaient des fugitifs. Après cela, c'est le combat. On a ici ce phénomène rare, l'écriture magique de chansons et les partenariats arrangeurs de Lesley Sly (claviers) et Audrey Swinburne (guitares) alternant souvent sur le chant principal donnant aux morceaux un mélange de tendresse et de sensibilité plus de luxe et d'esprit. De plus, leur aptitude à provoquer l'improvisation s'incarne dans de nombreux solos, notamment dans «Mood Trader» et «No Time Toulouse Lautrec». La partie rythmique constante de JackieJ Badger (finger gibson bass) et Jackie Crew (batterie et percussions) ajoute également des chœurs là où c'est nécessaire. Leur héroïsme à rénover de vieilles chansons et à les transformer en chansons très écoutées apparaît dans la chanson 'Love The One You 're With' et une version absolument géniale de la chanson 'Lady Madonna'. En 1975, IBC Studios a donné l'opportunité au groupe de profiter de toutes les sessions d'enregistrement nocturnes pendant les temps morts. Au fur et à mesure que ces enregistrements prenaient forme, ils rigolaient régulièrement, en particulier à Londres et dans les environs, en prévision d'un prochain contrat de disque. Des presses d'essai circulaient, mais incroyablement, l'album n'a jamais obtenu une sortie britannique. Cet échec a incité le groupe à chercher plus loin dans la recherche d'un accord pour leur œuvre d'art raffinée et exquise, qui devait en effet acquérir le droit automatique à une diffusion mondiale et à la reconnaissance que la prévoyance et le jugement éclairé prévalaient.


textDisplay: Mother Superior was a rare species, as not only were they musicians of obvious talent, but they were also the female group responsible for recording the definitive crossover album between progressive rock and jazz rock in the mid-1970s. That period was a time of transition on the British rock scene; the candle of the prog era finally flickered two or three years earlier, even the more successful bands that survived his death were mostly in decline as punk got closer. During that time, Mother Superior appeared showing a penchant for earlier progressive sound, but with jazz rock feeling and enchanting vocals that combined intricate harmonies' and cunning interplay making a completely pleasing fiction. However, the nature of this music is such that any attempt to categorize it is diluting the richness of style and appeal. Progressive-age enthusiasts can draw comparisons to Earth and Fire, Sandrose and the Fusion Orchestra in which the singers participated. But how good were all the female rock bands in the 70s? Fanny comes to mind and; A little later, they were fugitives. After that is the fight. Here we have this rare phenomenon, the magical writing of songs and arranging partnerships of Lesley Sly (keyboards) and Audrey Swinburne (guitars) often alternating on the lead vocals giving the tracks a mix of tenderness and sensitivity plus luxury and wit. Furthermore, their suitability in provoking improvisation is embodied in extensive soloing, especially in “Mood Trader” and “No Time Toulouse Lautrec”. The constant rhythm part of JackieJ Badger (finger gibson bass) and Jackie Crew (drums and percussion) also add backing vocals where needed. Their heroism in renovating old songs and turning them into very listened to songs appears in the song 'Love The One You're With 'and an absolutely great version of the song' Lady Madonna '. In 1975, the band was given the opportunity by IBC Studios to take advantage of all night-time recording sessions in downtime. As these recordings took shape, they were regularly giggled, especially in and around London, in anticipation of an upcoming record deal. Test presses were circulating, but unbelievably, the album never secured a British release. This failure prompted the band to look further in search of a deal for their finely crafted, exquisite work of art, which was indeed to acquire the automatic right to worldwide release and recognition that they had overcome foresight and enlightened judgment.