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textDisplay: Svatko tko bi čuo progresivne poteze ovog benda teško bi povjerovao da su započeli kao garažni rockeri sa sjedištem u Minneapolisu The Underbeats.Nastala 1964. godine, u originalnoj postavi Underbeatsa istaknuti su talenti bubnjara Toma Greena, gitarista Jamesa C. Johnsona i basista Donija Larsona. Dodavanjem pjevača / gitarista Enrica Ronsenbauma bend je postao staja u klupskom krugu Twin Cities, uživajući u nizu regionalnih hitova tijekom kraja desetljeća. S Johnsonom koji je privremeno bio izvan sastava zahvaljujući svom draftu, bend je angažirao klavijaturista Jamesa Walsha. Do 1969. Johnson se vratio na posao i bend je odlučio krenuti prema zapadnoj obali.U Los Angelesu su brzo dobili posao kućnog benda Whisky-a-Go-Go-a. Odlučivši o promjeni imena, novokršteni 'Gypsy' također su počeli širiti glazbeni horizont pokazujući izrazito zanimanje za britanske progresivne zvukove.U koprodukciji Jack Richardson i Jim Mason, "Antiteza" iz 1972. godine pronašla je Cigana potpisanog za RCA Victor. Zajedno s novom etiketom, bend je u Randyju Catesu nosio novog basista (zamijenivši Davida Larsona). Budući da su prva dva albuma nestala s malo prepoznavanja, nova izdavačka kuća RCA očito je inzistirala na nekim glazbenim promjenama. U skladu s tim, treći originalni set utvrdio je da bend petlja sa svojim patentiranim UK-progresivnim zvukom. Kao i prije, podloge albuma ostale su čvrsto zasađene u progresivnom načinu rada, ali ovaj put bend se pretvorio u niz skladbi s kraćim i fokusiranijim strukturama pjesama. Iako pjesme poput "Crusader", "Facing Time" i "So Many Promises" nisu bile među najpopularnijih 40, bile su iznenađujuće komercijalne i zvučale bi prilično dobro na FM radiju - zapravo dva od komercijalnijih brojeva 'Dan za danom' c / b 'Lean On Me' objavljeni su kao singl. Kao primjer pjesme poput 'Young Gypsy' i 'Don't Father Me', set je bio prepun snažnih melodija i nekoliko zanimljivih aranžmana. Nije zamišljen kao uvreda, ali na pjesmama kao što su 'Travelin' Minnesota Blues (Go Gophers) 'i' So Many Promises 'album me podsjetio na ranog Davida Packa i Ambrosia, ili na snažni LP Guess Who.Anyone who would hear the band’s progressive moves would find it hard to believe they started out as Minneapolis-based garage rockers The Underbeats. Created in 1964, the original Underbeats lineup featured the talents of drummer Tom Green, guitarist James C. Johnson and bassist Donnie Larson. With the addition of singer / guitarist Enrico Ronsenbaum, the band became a barn in the Twin Cities club circle, enjoying a series of regional hits over the end of the decade. With Johnson temporarily out of lineup thanks to his draft, the band hired keyboardist James Walsh. By 1969, Johnson was back at work and the band decided to head to the West Coast. In Los Angeles, they quickly got a job with the home band Whiskey-a-Go-Go. Deciding to change the name, the newly christened ‘Gypsy’ also began to broaden the musical horizon by showing marked interest in British progressive sounds. In a co-production by Jack Richardson and Jim Mason, the 1972 Antithesis found Gypsy signed to RCA Victor. Along with the new label, the band wore a new bassist at Randy Cates (replacing David Larson). As the first two albums disappeared with little recognition, the new record label RCA apparently insisted on some musical changes. Accordingly, the third original set found the band looping with its patented UK-progressive sound. As before, the background of the album remained firmly planted in a progressive mode, but this time the band turned into a series of tracks with shorter and more focused song structures. Although songs like "Crusader", "Facing Time" and "So Many Promises" were not among the top 40, they were surprisingly commercial and would sound pretty good on FM radio - actually two of the more commercial numbers' Day after day 'b / w' Lean On Me 'were released as a single. As an example of a song like ‘Young Gypsy’ and ‘Don’t Father Me’, the set was full of powerful tunes and a few interesting arrangements. Not intended as an insult, but on songs like ‘Travelin’ Minnesota Blues (Go Gophers) and ‘So Many Promises’ the album reminded me of the early David Pack and Ambrosio, or the powerful LP Guess Who.

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