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.......Zvuči staro, ima sve stare zvukove, hammond orgulje i pozadinske vokale, na primjer. Ali to je u redu. Prilično mekana, ali teška psych vrsta glazbe, uvijek ima neke tvrde podtonova. Melodičan i pun basa, i izbjegavanje smetnji od popa i džema. Po mom mišljenju nije baš prog, ali stavit ću ga pod oznaku"plava prog"koja se temelji na osjećaju, topla je, tamna i ima koherentne, ali zanimljive strukture.Nakon što sam nedavno nadograđen na originalnu kopiju ovog vrlo rijetkog albuma, odlučio sam ga ponovno poslušati, sve dok sam ga imao vani, kako bih vidio je li moje mišljenje promijenilo bilo. Ostavio sam svoju originalnu recenziju od 2010. Evo mojih trenutnih misli:

Moje početno mišljenje o tome u uvodnim rezovima je da to očito nije sjajan album, a nedvojbeno čak ni osobito dobar. Njihov stil je prilično nezahvalan prilično jednostavnim pisanjem pjesama. A malo tko bi smatrao da je njihovo glazbeno umijeći virtuozno na bilo kojem od odabranih instrumenata. Srećom, nakon što se držite toga, otkriva se da je (kao što je ponekad slučaj) bend prednjim punjenjem popisa pjesama s neuravnoteženom količinom slabijeg materijala. Otkrio sam da sam do kraja prve strane očito vukao za njih da prevladaju moja početna razočaranja. I nadvladali su ih. Jedna od glavnih tvrdnji albuma o slavi je virtualno neprekidno korištenje fuzza od strane gitarista. Koliko se sjećam, možda je postojao samo jedan rez gdje je isključio svoju fuzz kutiju, moleći usporedbe s njihovim kanadskim suvremenicima, Plastičnim oblakom. Također treba napomenuti prilično izrazito otrcan organ koji sve osim prožima ovaj LP, a koji također ima vrlo jaku sličnost s drugom skupinom, Stvaranje sunčeve svjetlosti. Sve u svemu, to možda neće impresionirati one koji traže žanrovska remek-djela. Naprotiv, trebao bi držati značajnu količinu svoje privlačnosti prema garažnim fanaticima, ne toliko za vrstu glazbe, koja je samo osnovni underground rock tipičan za njegovu berbu, već za komparativni nedostatak laka za gotov proizvod. Kao ostatak vremena, ima mnogo toga što je mnogo gore. Pristupite tome s određenom rezervom u svojim očekivanjima i mogli biste biti ugodno iznenađeni…….LADISLAV&Z...……….

authorDisplayName: ladislav zivanovic


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It sounds old, has all the old sounds, hammond organ and background vocals, for example. But that's okay. A rather soft but heavy psych kind of music, there are always some hard undertones. Melodic and full of bass, and avoiding distractions from pop and jam. In my opinion, it is not very prog, but I will put it under the label "blue prog" based on feeling, it is warm, dark and has coherent but interesting structures. Having recently been upgraded to an original copy of this very rare album, I decided to listen to it again, as long as I had it outside, to see if my opinion had changed either. I left my original review from 2010 to 2014. Here are my current thoughts:

My initial opinion on this in the opening cuts is that it's obviously not a great album, and arguably not even a particularly good one. Their style is quite ungrateful with fairly simple songwriting. And few would consider their musical prowess virtuosic on any of the chosen instruments. Fortunately, once you stick to it, it is revealed that (as is sometimes the case) the band is front-loading the playlist with an unbalanced amount of inferior material. I found that by the end of the first page I was obviously pulling for them to overcome my initial disappointments. And they overcame them. One of the album's main claims to fame is the guitarist's virtual continuous use of fuzz. As I recall, there may have been only one cut where he turned off his fuzz box, begging comparisons to their Canadian contemporaries, Plastic Cloud. It should also be noted a rather extremely shabby organ that all but permeates this LP, and which also has a very strong resemblance to another group, the Formation of sunlight. All in all, it may not impress those looking for genre masterpieces. On the contrary, it should hold a significant amount of its appeal to garage fanatics, not so much for the type of music, which is only basic underground rock typical of its harvest, but for the comparative lack of varnish for the finished product. Like the rest of the time, there's a lot that's much worse. Approach this with a certain reservation in your expectations and you could be pleasantly surprised.......LADISLAV&Z... ..........


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.......It sounds old, has all the old sounds, hammond organ and background vocals, for example. But that's okay. A rather soft but heavy psych kind of music, there are always some hard undertones. Melodic and full of bass, and avoiding distractions from pop and jam. In my opinion, it is not very prog, but I will put it under the label "blue prog" based on feeling, it is warm, dark and has coherent but interesting structures. Having recently been upgraded to an original copy of this very rare album, I decided to listen to it again, as long as I had it outside, to see if my opinion had changed either. I left my original review from 2010 to 2014. Here are my current thoughts:

My initial opinion on this in the opening cuts is that it's obviously not a great album, and arguably not even a particularly good one. Their style is quite ungrateful with fairly simple songwriting. And few would consider their musical prowess virtuosic on any of the chosen instruments. Fortunately, once you stick to it, it is revealed that (as is sometimes the case) the band is front-loading the playlist with an unbalanced amount of inferior material. I found that by the end of the first page I was obviously pulling for them to overcome my initial disappointments. And they overcame them. One of the album's main claims to fame is the guitarist's virtual continuous use of fuzz. As I recall, there may have been only one cut where he turned off his fuzz box, begging comparisons to their Canadian contemporaries, Plastic Cloud. It should also be noted a rather extremely shabby organ that all but permeates this LP, and which also has a very strong resemblance to another group, the Formation of sunlight. All in all, it may not impress those looking for genre masterpieces. On the contrary, it should hold a significant amount of its appeal to garage fanatics, not so much for the type of music, which is only basic underground rock typical of its harvest, but for the comparative lack of varnish for the finished product. Like the rest of the time, there's a lot that's much worse. Approach this with a certain reservation in your expectations and you could be pleasantly surprised.......LADISLAV&Z... ..........


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.......Il sonne vieux, a tous les vieux sons, orgue Hammond et chœurs, par exemple. Mais ce n’est pas grave. Une sorte de musique plutôt douce mais lourde, il y a toujours des nuances dures. Mélodique et plein de basse, et en évitant les distractions de la pop et de la confiture. À mon avis, ce n’est pas très prog, mais je vais le mettre sous l’étiquette « prog bleu » basé sur le sentiment, il est chaud, sombre et a des structures cohérentes mais intéressantes. Ayant récemment été mis à niveau vers une copie originale de cet album très rare, j’ai décidé de l’écouter à nouveau, tant que je l’avais à l’extérieur, pour voir si mon opinion avait changé non plus. J’ai laissé mon avis original de 2010 à 2014. Voici mes pensées actuelles:

Mon opinion initiale à ce sujet dans les coupes d’ouverture est que ce n’est évidemment pas un grand album, et sans doute même pas un particulièrement bon. Leur style est assez ingrat avec une écriture de chansons assez simple. Et peu de gens considéreraient leurs prouesses musicales virtuoses sur l’un des instruments choisis. Heureusement, une fois que vous vous y tenez, il est révélé que (comme c’est parfois le cas) le groupe charge la liste de lecture avec une quantité déséquilibrée de matériel inférieur. J’ai constaté qu’à la fin de la première page, je tirais évidemment pour qu’ils surmontent mes déceptions initiales. Et ils les ont surmontés. L’une des principales prétentions de l’album à la gloire est l’utilisation virtuelle continue du fuzz par le guitariste. Si je me souviens bien, il n’y a peut-être eu qu’une seule coupure où il a éteint sa boîte de fuzz, suppliant des comparaisons avec leurs contemporains canadiens, Plastic Cloud. Il convient également de noter un organe plutôt extrêmement minable qui imprègne presque ce LP, et qui a également une très forte ressemblance avec un autre groupe, la Formation de la lumière du soleil. Dans l’ensemble, il peut ne pas impressionner ceux qui recherchent des chefs-d’œuvre de genre. Au contraire, il devrait tenir une partie importante de son attrait pour les fanatiques de garage, pas tant pour le type de musique, qui n’est que du rock underground de base typique de sa récolte, mais pour le manque comparatif de vernis pour le produit fini. Comme le reste du temps, il y a beaucoup de choses qui sont bien pires. Abordez cela avec une certaine réserve dans vos attentes et vous pourriez être agréablement surpris.......LADISLAV&Z... ..........


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