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Vratio sam se s praznika s malim albumom za zagrijavanje. Teško se vratiti na posao nakon što ste bili tako opušteni nekoliko tjedana, iako skeniranje salda internetskog bankarstva i salda kreditnih kartica sigurno ima dobre rezultate kao hladno buđenje u stvarnost.

Ovaj album je bio dostupan u prošlosti, shvaćam, ali zato što je ovaj umjetnik jedan od mojih omiljenih njemačkih glazbenika svih vremena, želio sam napraviti čistu novu pljačku NM vinila.

Sve što je dotaknuo pretvorilo se u zlato, prisjećajući se Tota Blankea, Wolfganga Daunera itd. Na trenutke me jako podsjeća na njemački Chick Corea sa samim staccato stilom sviranja klavira, ali njegova mašta zaista može pokrenuti nerede u nekim od tih skladbi, a on donosi onu tipičnu europsku osjetljivost klasične glazbe na sve što svira.

Njegovo miješanje progresivnog pisanja pjesama i promjena akorda s jazzom je savršeno po mom mišljenju, plus, dobili smo Triloka Gurtua na udaraljkama

ovdje. Posebno su izražajni bili i raniji albumi koje je radio s violončelistom Wolfgangom Tiepoldom (Ziyada, Colibry, Inversion). Iako možda griješim, kasnije se okrenuo i glazbi u stilu New Agea, baš kao i Chris Hinze (nikada se nisam potrudio poslušati bilo koju od kasnijih stvari, sami naslovi su me uplašili).

Drugi će znati više o tome od mene, ali nijedan od njegovih ranih albuma nikada nije objavljen na CD-u?

Ako je tako, to je užasna nepravda.

authorDisplayName: ladislav zivanovic


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I came back from the holidays with a small warm-up album. It’s hard to get back to work after you’ve been so relaxed for a few weeks, although scanning your internet banking balance and credit card balance certainly has good results as a cold awakening to reality.

This album has been available in the past, I understand, but because this artist is one of my favorite German musicians of all time, I wanted to make a brand new robbery of NM vinyl.

Everything he touched turned to gold, remembering Toto Blanke, Wolfgang Downer, etc. At times it reminds me very much of German Chick Core with the very staccato style of playing the piano, but his imagination can really trigger riots in some of these tracks, and he brings that typical European sensitivity of classical music to everything he plays.

His mixing of progressive songwriting and chord changes with jazz is perfect in my opinion, plus, we got Trilok Gurtu on percussion

here. Particularly expressive were the earlier albums he worked on with cellist Wolfgang Tiepold (Ziyada, Colibry, Inversion). Although I may be wrong, he later turned to New Age-style music, just like Chris Hinze (I never bothered to listen to any of the later stuff, the titles themselves scared me).

Others will know more about it than me, but none of his early albums were ever released on CD?

If so, it is a terrible injustice.