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Flauta – Martin Schluchtmann

Gitara – Rudiger Hasse......."Fairy tales" is the name of this album - and there's something about it. At the trial in art were guitarist Rüdiger Hasse and flutist Martin Schluchtmann (today apparently called Buchinger, if I investigated it correctly). The two were a duo who, in the mid-1980s dominated by a synthetic alliance, had the courage to release an album of instrumental, acoustic prog. Who don't beat their hands over the head.

And of course, no one wanted to hear it at the time. The two released their only album "Fairy Tales" privately - probably no record label wanted anything to do with "so stuff." Consequently, Trial In Art disappeared from the scene afterwards, so completely that even the Discogs don't know where they are today.

And this is bad in almost every way. First, for Hasse and Schluchtmann, who surely wish they had had more success with their music and - not only at the time - they should be much better known. Second, for all the record companies that haven't released this album - and if I counted correctly, that's all. That doesn't make a good impression. And third, for those of us who don't know and/or have this album. We're missing something.

I recently reviewed the beautiful/unknown folk prog album "Winterserenade" by Hummingbirds, also an internal production that should be much more famous. If you were curious and liked this album, you might also be interested in Trial In Art: Both's "Fairy Tales" going in the same direction. "Fairy tales" offer rarely cast, acoustic prog, which is not necessarily ethereal-atmospheric. Rüdiger Hasse really reaches through, or into the wires, and from flutist Martin Schluchtmann we get a real kick. Anyone who imagines this music electrified will probably immediately think of Jethro Tull - so their fans are warmly invited to listen to "Fairy Tales." There's a rock in there!

And yet, this music is not inappropriately titled with the word "Fairy tales". Hasse and Schluchtmann make music far enough outside the conventions of folk or rock music that you can hear the fairy tale of this music throughout. "Fairy tales" is beautiful - yes, you can even say, a beautiful album. It's wonderful how Martin Schluchtmann spins his flute lines around Rüdiger Hasse's guitar primer, how the two play two-part melodies, and in between they really swing often enough.

"Fairy-Tales" is a great album, which at least now on CD should be republished by the label with prog honor in the flesh. The audience would have it, I'm sure.ladislav&zivanovic.............

authorDisplayName: ladislav zivanovic


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Flûte – Martin Schluchtmann

Guitare – Rudiger Hasse......."Contes de fées » est le nom de cet album - et il y a quelque chose à ce sujet. Au procès dans l’art étaient guitariste Rüdiger Hasse et flûtiste Martin Schluchtmann (aujourd’hui apparemment appelé Buchinger, si j’ai enquêté correctement). Les deux étaient un duo qui, au milieu des années 1980 dominé par une alliance synthétique, a eu le courage de sortir un album de prog instrumental et acoustique. Qui ne frappent pas leurs mains sur la tête.

Et bien sûr, personne ne voulait l’entendre à l’époque. Les deux ont sorti leur seul album « Fairy Tales » en privé - probablement aucune maison de disques ne voulait quoi que ce soit à voir avec « so stuff. » Par conséquent, Trial In Art a disparu de la scène par la suite, si complètement que même les Discogs ne savent pas où ils sont aujourd’hui.

Et c’est mauvais à presque tous les égards. Tout d’abord, pour Hasse et Schluchtmann, qui auraient sûrement souhaité avoir plus de succès avec leur musique et - pas seulement à l’époque - ils devraient être beaucoup mieux connus. Deuxièmement, pour toutes les maisons de disques qui n’ont pas sorti cet album - et si j’ai bien compté, c’est tout. Cela ne fait pas bonne impression. Et troisièmement, pour ceux d’entre nous qui ne savent pas et / ou qui n’ont pas cet album. Il nous manque quelque chose.

J’ai récemment passé en revue l’album de prog folk beau / inconnu « Winterserenade » de Hummingbirds, également une production interne qui devrait être beaucoup plus célèbre. Si vous étiez curieux et que vous aimiez cet album, vous pourriez également être intéressé par Trial In Art: Both’s « Fairy Tales » allant dans la même direction. Les « contes de fées » offrent rarement un prog acoustique, qui n’est pas nécessairement éthéré-atmosphérique. Rüdiger Hasse atteint vraiment à travers, ou dans les fils, et du flûtiste Martin Schluchtmann, nous obtenons un vrai coup de pied. Quiconque imagine cette musique électrifiée pensera probablement immédiatement à Jethro Tull - de sorte que leurs fans sont chaleureusement invités à écouter « Fairy Tales ». Il y a un rocher là-dedans!

Et pourtant, cette musique n’est pas indûment intitulée avec le mot « Contes de fées ». Hasse et Schluchtmann font de la musique assez loin en dehors des conventions de la musique folk ou rock que vous pouvez entendre le conte de fées de cette musique tout au long. « Contes de fées » est beau - oui, vous pouvez même dire, un bel album. C’est merveilleux de voir comment Martin Schluchtmann fait tourner ses lignes de flûte autour de l’apprêt de guitare de Rüdiger Hasse, comment les deux jouent des mélodies en deux parties, et entre les deux, ils se balancent vraiment assez souvent.

« Fairy-Tales » est un excellent album, qui au moins maintenant sur CD devrait être republié par le label avec prog honneur dans la chair. Le public l’aurait, je suis sûr.ladislav&zivanovic.............


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.Flauta – Martin Schluchtmann

Gitara – Rudiger Hasse......."Fairy tales" is the name of this album - and there's something about it. At the trial in art were guitarist Rüdiger Hasse and flutist Martin Schluchtmann (today apparently called Buchinger, if I investigated it correctly). The two were a duo who, in the mid-1980s dominated by a synthetic alliance, had the courage to release an album of instrumental, acoustic prog. Who don't beat their hands over the head.

And of course, no one wanted to hear it at the time. The two released their only album "Fairy Tales" privately - probably no record label wanted anything to do with "so stuff." Consequently, Trial In Art disappeared from the scene afterwards, so completely that even the Discogs don't know where they are today.

And this is bad in almost every way. First, for Hasse and Schluchtmann, who surely wish they had had more success with their music and - not only at the time - they should be much better known. Second, for all the record companies that haven't released this album - and if I counted correctly, that's all. That doesn't make a good impression. And third, for those of us who don't know and/or have this album. We're missing something.

I recently reviewed the beautiful/unknown folk prog album "Winterserenade" by Hummingbirds, also an internal production that should be much more famous. If you were curious and liked this album, you might also be interested in Trial In Art: Both's "Fairy Tales" going in the same direction. "Fairy tales" offer rarely cast, acoustic prog, which is not necessarily ethereal-atmospheric. Rüdiger Hasse really reaches through, or into the wires, and from flutist Martin Schluchtmann we get a real kick. Anyone who imagines this music electrified will probably immediately think of Jethro Tull - so their fans are warmly invited to listen to "Fairy Tales." There's a rock in there!

And yet, this music is not inappropriately titled with the word "Fairy tales". Hasse and Schluchtmann make music far enough outside the conventions of folk or rock music that you can hear the fairy tale of this music throughout. "Fairy tales" is beautiful - yes, you can even say, a beautiful album. It's wonderful how Martin Schluchtmann spins his flute lines around Rüdiger Hasse's guitar primer, how the two play two-part melodies, and in between they really swing often enough.

"Fairy-Tales" is a great album, which at least now on CD should be republished by the label with prog honor in the flesh. The audience would have it, I'm sure.ladislav&zivanovic.............